A Quote by Kate Atkinson
Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
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One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
I'm involved with every single thing that they do as far as just being aware, and then they ask my opinion. I'm involved in the sequence reviews and some of the animation reviews and character designs and things like that. I give my input on that movie as well.
I don't think I've had a very interesting life, and I feel that is a great liberation. That gives me great freedom as a fiction writer. Nothing that happened holds any special tyranny over me.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, "Are you kidding me?"
I write literary, not commercial, fiction - or so I've been told by my publishers who are proud I write literary fiction but secretly wish I wrote commercial.
Everybody should read fiction… I don’t think serious fiction is written for a few people. I think we live in a stupid culture that won’t educate its people to read these things. It would be a much more interesting place if it would. And it’s not just that mechanics and plumbers don’t read literary fiction, it’s that doctors and lawyers don’t read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn’t trust art.
Freedom is not simply intended to mean freedom from enslavement. Freedom is an affirmative goal, it is one that promises liberation, safety, and peace of mind. It is the promise of a full, prosperous, and joyous life.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
As long as you perceive that anyone is holding you back, you have not taken full responsibility for your own liberation. Liberation means that you stand free of making demands on others and life to make you happy. When you discover yourself to be nothing but Freedom, you stop setting up conditions and requirements that need to be satisfied in order for you to be happy. It is in the absolute surrender of all conditions and requirements that Liberation is discovered to be who and what you are. Then the love and wisdom that flows out of you has a liberating effect on others.
The critics have been writing me off for 20 years. That's nothing new. As far as I know I still have plenty of fans and sell lots of records. Do I care what critics say about me? No, and I don't read reviews.
During the course of any normal day, I usually pay more attention to assembling a grocery list than I do to reading movie reviews, although there are a more than a few film critics who bring huge insight to their work.
My life in general, orderly or not, it allows me more freedom in my own writing. Sometimes I wonder, though - I have friends that sit around and just write all day. And I think it's the coolest thing.
My mother was a huge, huge reader. I think I picked up very early how precious it was to write things in books and have people like my mother glued to the page.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
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