A Quote by Kate Atkinson

Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along. — © Kate Atkinson
Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
That's what I always loved about [Federico] Fellini's films: You see the weird joy of the weird filmmaking family and the abstract craziness that goes along with it, and there's something about it that's quite beautiful.
This sounds weird, but some of my concerts have been kind of dangerous sometimes. I've had a few girls actually sent to the hospital because they faint and all that kind of stuff, which is really, really weird to me.
We affirm depth as the only pictorial and plastic form of space.
I know it sounds weird, but the kind of music I write isn't the kind of music that I listen to, which is quite underground, left-of-centre stuff like PJ Harvey and Tom Waits.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
Homer Collyer's chosen form of self-expression is the piano, although late in life, when his hearing also goes, he takes to writing.
I'll tell you what me scares me is plastic. Plastic bags and plastic bottles and these things. Why does my water have to be in a bloody plastic bottle? The landfill and the ocean. And I don't know, I'm just terrified with the proliferation of plastic.
Why are you so weird?" "Because my weird has to be able to cancel out your weird, Lady Cross-stitch." "At least what I do is considered an art form." "Yes, in ye olde medieal Europse you would've been quite the catch-
There's a kind of acting that goes on in my head when I'm writing a character where I put myself in their place.
I want to make sound effects for biomes. If you're walking along a river you hear the water, then in the forest you hear birds, but as night comes in, it becomes kind of weird, you can walk through a desert, a swamp, and the sounds merge and change with you.
Comedy, although it is not one of the fine arts - it's a vulgar art, it's one of the people's arts, it's the spoken word, the writing that goes into it is an art form - it's certainly artistry.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
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