A Quote by Kate Baldwin

Even with revivals, I dont really pay attention to previous incarnations. I always just go with the script and with the director and am willing to treat it as brand new.
For me, being an actress, my responsibility is not to pay attention to all the noise around me and to pay attention to the script and the director and protect the character and try to tell her story the best I can.
I think when you pay attention to the shots, you're aware of the fact that there's a director. Really, it's the director's job to disappear and allow the movie to just feel.
To discover what you really believe, pay attention to the way you act -- and to what you do when things don't go the way you think they should. Pay attention to what you value. Pay attention to how and on what you spend your time. Your money. And pay attention to the way you eat.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
I am just always trying to pay attention to how to communicate things that may not always be the hot topic issues and ways they can be entertaining and engaging. That's what I think has always been my passion, even if it comes to the type of music that I do.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
When you treat people well, those same people might not treat you the same way. But if you pay attention, you'll notice that Allah has sent OTHER people who treat you even better.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
I am a hopeless romantic. And I won't stop till I get it right. I don't think I'm unlike a lot of people. I am just someone who is trying to find that mate, and I think it's a really hard thing to do. And I'm not willing to stay somewhere where I am really not happy. And I am not willing to pretend I am for the kid's sake or so that I don't have to go through another public humiliation.
I treat my body the same way I would treat a brand new car. You have to treat it well so it can run for a long time.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
Very often, it's the director that I'm attracted to. If it's a really good director, I don't even have to read the script to say yes.
When you do a rewrite, it's really about serving the director's vision, and what the director needs to go into that script.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
I really like United States so I pay attention to what goes on here. I don't really pay attention to what goes on overseas or in other countries, unless it affects us, then I'll pay attention.
If one becomes enlightened, as I did in past incarnations, we leave the structural universes behind. We don't even have past incarnations because the form that had those incarnations has dissolved into the clear light of reality.
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