A Quote by Kate Beaton
A lot of the ways that I like to approach comic books, or anything like that, is not just the book itself, but the fans of it, the readers, the world that exists around it as a cultural object.
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To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
The comic-book industry today is not what it was back then, unfortunately. Kids are no longer interested in reading comic books; they've got television and the electronic games that they can bury themselves in like ostriches. They don't have to pay attention to what's going on in the world around them.
A lot of people who saw 'The Avengers' didn't read comic books, don't like comic book movies, and enjoyed it. That was huge for me.
In comic books, every character exists in this comic book world, and the wrestlers were the same thing. They were responsible for creating that world and putting it out there - having the confidence to go forward and do that and behave in a certain way.
The way I felt growing up, which was like an outcast - I was weird, I was a nerd, I read fantasy books - I think a lot of fantasy book readers and a lot of readers and writers in general have that experience of isolation.
Most book things now (with a few exceptions) are just built around nice, safe books written for nice and safe book club readers. These are usually the books you see on display at Barnes and Noble. These Internet writers are like literary terrorists to me. They're training as we speak. They're getting ready to invade. They're building an army.
I think there are fans who love the genre to begin with, and there are fans who love the comic book to begin with, but fans of the comic book aren't necessarily fans of the genre. There are obviously a lot of those people who love both, but I'm not a huge fan of that genre, personally.
The experience of reading a printed comic book will never change, but now, thanks to the digital age, there are many different ways to enjoy the same story. Digital comic books, of course, can be interactive in many different ways, allowing the reader to feel like a participant in the story.
I stole comic books from my brother when I was a kid, but I was never like an avid fan. I can't claim to be like a comic book geek.
I wasn't a comic book geek as a kid. I read some, but it was just like, 'Oh, I have this comic book here.' It wasn't like I was collecting them.
I wasn't a comic book geek as a kid. I read some, but it was just like, "Oh, I have this comic book here." It wasn't like I was collecting them.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
When I was growing up, I was running around; I was a little tomboy. So I was just running around trying to be an athlete and trying to reenact things from TV, but I wasn't really into reading comic books or anything like that.
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
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