A Quote by Kate Beckinsale
I think that's why I gravitated toward slightly broader... ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.
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What I can't figure out is why we're not making more R-rated movies, actually.
A generic vampire tale in the Underworld vein that comes closer to the infamous Van Helsing than a memorable re-interpretation of a legendary monster.
We know broadly from research is that religiosity does not correlate with sympathy for terrorism. It's actually quite the opposite. The more religious someone is, the more often they go to the mosque, the more likely they are to actually reject attacks on civilians.
My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.
I think religious movies are more of a subset of the broader historical trend, and also the fact that there is more history in Europe, whereas in America, America is about the future. People in Europe think more of the past, and that's why I think filmmakers are drawn to it more.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it.
It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it
You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.
I feel like my game is more like LeBron's than Kobe's, so that's why I think I gravitated toward his game more.
There's a million and one things an actor can do with a villain. He can go for all kinds of quirks and tricks. The hero is much harder to define for an actor. When you play a straight role or a hero, you're kind of stuck, It's much more difficult to give a good guy interesting qualities or to make him unusual.
If the quality and quantity of continuous effort toward goals matters as much as I think it does, we may actually get more productive, not less, as we get older - even if we can't pull all-nighters like we used to.
I actually think that the more something is important to you, the more it's OK to actually let it go.
How do we think beyond interruptive ad formats, and do things that are much more integrated, much more innovative, and actually empower the viewer and give them a better product experience?
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
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