A Quote by Kate Bernheimer

I love the idea of the 'vignette,' which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?
I love the idea of the vignette, which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
The kinds of claims I make about knowledge are thus meant to be illustrative of a general argumentative strategy which might well bear fruit in areas of philosophy which I have not thus far explored.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
Any object not interesting in itself may become interesting through becoming associated with an object in which an interest already exists. The two associated objects grow, as it were, together; the interesting portion sheds its quality over the whole; and thus things not interesting in their own right borrow an interest which becomes as real and as strong as that of any natively interesting thing.
Beautiful was this world, looking at it thus, without searching, thus simply, thus childlike.
For Emily Dickinson every philosophical idea was a potential lover. Metaphysics is the realm of eternal seduction of the spirit by ideas.
Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
Solitude never hurt anyone. Emily Dickinson lived alone, and she wrote some of the most beautiful poetry the world has ever known... then went crazy as a loon." Lisa Simpson
My idea of marriage, as of every other partnership, ... is that each member shall contribute to it his or her personality, unrepressed and uncoerced. Thus, and only thus, we obtain the most complex synthesis possible, which may well surpass in beauty, as it surely does in interest and human value, the separate elements of such an association.
I'm slightly obsessed with women's history, so I'd love to talk to Emily Dickinson or Louisa May Alcott.
Thought creates things by slicing up reality into small bits that it can easily grasp. Thus when you are think-ing you are thing-ing. Thought does not report things, it distorts reality to create things, and as Bergson noted, "In so doing it allows what is the very essence of the real to escape." Thus to the extent we actually imagine a world of discrete and separate things, conceptions have become perceptions, and we have in this manner populated our universe with nothing but ghosts.
And by the right thing, I mean that whatever step we take next, the first criteria we should consider is the people who have been loyal to us, thus far, which is primarily our audience.
In 1939 I wrote my first article ("Intime banaliteter" [Intimate banalities] in the journal Helhesten) in which I expressed my love for sofa painting, and for the last twenty years I have been preoccupied with the idea of rendering homage to it. Thus I act with full responsibility and after extensive reflection. Only my current situation has enabled me to accomplish the expensive task of demonstrating that the preferred sustenance of painting is painting.
Thus, the word is more essential than cement. Thus, the word is not a small nothing. In this manner, noble people begin to grow, and their word will break cement.
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