A Quote by Kate Braverman
Male critics and men in the publishing industry want from their women writers what they want from their wives. I'm interested in presenting characters that are more challenging, threatening, complicated and unpredictable.
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First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
Male playwrights, on the whole, are probably more interested in male characters. They need women characters to be the women in their lives or to be the domestic difficulty.
I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.
Architecture is particularly difficult for women; there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
When I was thinking about these women characters, no matter how bad a person I am - a bad writer, my limitations, my sexism, you know - the thought was, it would be useful as a writer to try to create a template for all the male writers, especially Dominican male writers, especially males of color, of how a writer can use seeing to create more nuanced representations of women.
Women tend to be more interested in reconciliation. A Kenyan woman leader said to me, "You know, in a war, men and women want different things. The men care a lot about territory. And they care where the borders are. And they want this whole state. The women," she said, "they want a safe place." And she put her fingers like this, "They want a safe place for their children to go to school without being shot, for their daughters to not be raped."
Male writers don't want to be judged in the room. They want to be able to scarf an entire bag of potato chips while cracking fart jokes and making lewd comments without fear of feminine disapproval. But we're your co-workers, not your wives.
It's the sick and twisted male fantasy that we want classy ladies out in the world that make us look good, but in the bedroom, men want subservient women who please all of their whims. It's the typical bullshit of male ego.
Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.
I don't find it difficult anymore, because these days, Raf is only men and Dior is only women. I found it much more complicated when I was doing Jil Sander for men and women. It wasn't that it was the same, but I'm specific about where I want to go, and when you suddenly have to do two men's collections in the same moment, that was more difficult.
I like to play unpredictable characters, and I like to be unpredictable in what movie I'll do. I want to skip to work. I don't want to repeat anything. What the future holds, I don't know, but that's what I like. I'll take any risk there is.
Men find powerful women so threatening, and finding a partner was starting to look laughable, because I would be really attracted to guys and they would just be so threatened and I didn't like feeling threatening, I didn't want to feel threatened, I didn't want to feel like I was towering over anybody.
There is an enormous shadow industry of scammers and amateurs who prey on aspiring writers, who divert people from the real publishing industry into this shadow world of vanity publishing and fee-charging agents.
I think women are not interested in being like "the man" or having the same position as "the man." Women want to be women with equal rights. At this point now, we're very clear about that. I don't want to be the same as him. I want to be me with the same opportunity. So I think that's the difference of today than the fight that my mom had to fight, which was a little bit different and as complicated.
Women don't want to exchange places with men. Male chauvinists, science-fiction writers and comedians may favor that idea for its shock value, but psychologists say it is a fantasy based on ruling-class ego and guilt.
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