A Quote by Kate Burton

Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
My thirties were ruined by being pregnant. I loved my babies but I had been quite successful before I had them, playing Lady Macbeth and Hedda Gabler, one of my favourite roles.
Most women would say they relate to 'Hedda Gabler' - there's a part of her in them. Ibsen was writing about a deep ambivalence that many women feel about domesticity. I think about myself and friends of mine - we have some of Hedda's qualities and traits.
Ideally, I would like to play roles in as many classics as possible: 'Rebecca,' 'Hedda Gabler.' I'm fond of a corset.
I haven't played Hedda Gabler yet, but maybe if I did I might find the funny bits.
When I saw 'Legally Blonde' on Broadway, I rang my agent and said 'I want to be seen for this,' but the rest weren't big choices, really. 'Hedda Gabler' was a phone call offering it to me, and as I've said before quite embarrassingly, I didn't know the play, so I didn't sit there thinking 'I would now like to tackle Ibsen.'
I don't want to say I'm closing the doors to this possibility completely. It's just that I'm very passionate about my acting and being a beauty queen takes time. I'd have to prepare physically. I'd have to perfect my walk. And since I'm no beauty queen, this requires a lot of training.
I remember thinking, when I was playing Hedda Gabler, that several sequences of the play were utterly absurd.
Ibsen is like this room where we are sitting, with all the tables and chairs. Do I care whether you have twenty or twenty-five links on your chain? Hedda Gabler, Nora and the rest: it is not that I want! I want Rome and the Coliseum, the Acropolis, Athens; I want beauty, and the flame of life.
A queen, devoid of beauty is not queen; She needs the royalty of beauty's mien.
If you're a woman doing classic theater, the big roles are often destroyers. I've played Hedda Gabler, Lady Macbeth, some of the Chekhovian heroines, Electra, Phaedra - they're all powerful women, but they're forces of negativity.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
What's the point of doing a brilliant Hedda Gabler in my back garden if no one will ever see it?
My father Philip was an actor and appeared in everything from 'The Onedin Line' to 'Hedda Gabler' with Dame Diana Rigg.
My mother was a beauty queen in her hey day. That's where I learnt a little about makeup and hair... I had never picked up or even seen a 'Vogue' before I was 17. I had no idea about fashion, magazines, models or designers. No idea.
When I first started, there really was no beauty guru community. I didn't have the right production resources. I had to learn how to edit. I didn't even have beauty products. I had to go out and buy them myself because beauty brands didn't even know what a beauty guru was.
This site uses cookies to ensure you get the best experience. More info...
Got it!