A Quote by Kate Bush
I think as a mature artist, you're probably always trying to undo the compromises of one's self [in general]. It's not necessarily to do with youth.
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I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you can make music in studios, music doesn't have to be made as a real-time experience. But now you see the results of that in people who are completely crippled unless they know that they have the possibility of "cut and paste" and "undo." And "undo" and "undo" and "undo" and "undo" and "undo" again.
They always say girls mature faster than boys, but I don't think that's true because I think girls just are more mature than boys. We're always trying to catch up to them.
When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family, you can't concentrate on your work. It's a hard thing to be an artist and not give up. That's why I have so much respect for people like Dylan and Neil Young and Tom Waits, because they keep at it. I have a new respect for a true artist.
My overall approach toward art is to remain as open as possible in front of the world, to always be curious, not to be afraid to experiment, and have a sense of self-criticism and a general criticism toward the surrounding. Also, trying to make a difference between serious research and pure gag! And making as few compromises as possible toward doing things that might not be accepted by the majority of society, even if this dominant society is the one which is ruling the art world. To keep this fundamental idea, even if it's a bit trivial: to have the desire to transform the world.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
If there's anything I could undo - usually when I want to undo things its like right on the moment because I look to the stuff that I go through in my life and something always comes out for a reason so I'm doing that. But, its always that when you say something that's just so asinine and so stupid, you're like, ahh, if I could just, please, have an undo button just to not say that.
It's almost worse because you think that you're mature and classic when you're in the newsie cap jazz phase. It's not a great look, a young person trying to seem old and mature and cultured. That's a summarily not-cool look.
I don't think anything good is happening. I think we're paying the price for it. I think while crime in general is going down, youth crime is going up. I think mental health problems of the youth are going up. You can't show causality. It's a hard stretch.
Seems like we were always running away from President Obama or trying to undo what he's done.
I don't write for a particular audience. I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
My goal, in general, is to make music for the youth that the youth can love. Not only just for the youth but almost be their voice. Just show that they can do whatever they want.
Lasting solutions are always difficult to come to. But they will have to persevere. I've been repeating ad nauseam that we in Burma we are weak with regard to the culture of negotiated compromises, that we have to develop the ability to achieve such compromises.
I think the definition of an artist is not necessarily tied into excellence or talent; an artist is somebody who, if you took away their freedom to make art, would lose their mind.
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