A Quote by Kate Bush
Numbers are really fascinating things, and they do play a big part in our lives. They are a language of their own.
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Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isn’t all totally pointless.
Nature is a really big part of our lives.
The trouble with integers is that we have examined only the very small ones. Maybe all the exciting stuff happens at really big numbers, ones we can't even begin to think about in any very definite way. Our brains have evolved to get us out of the rain, find where the berries are, and keep us from getting killed. Our brains did not evolve to help us grasp really large numbers or to look at things in a hundred thousand dimensions.
Lyrical poetry is not a big part of most people's lives. Twitter now becomes an interesting way of getting cared for language into people's space. Because there is something deep inside of us that responds to cared for language, whether it's literary, poetry, or really good lyrics in a song.
But actually a code is a language for translating one thing into another. And mathematics is the language of science. My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
One of the big themes - if not the big theme - of 'Mockingjay - Part 1' is the battle of the airwaves. I don't think teenagers really understand the role propaganda has in our lives in terms of politics, advertising, and the general manipulation of imagery.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
Our biggest enemy is our own self-doubt. We really can achieve extraordinary things in our lives. But we sabotage our greatness because of our fear
Testing of self is a regular part of our own lives, so it seems natural to make it a part of the lives of my characters, as well, albeit on a much different level.
Vincent and I are entwined creatively every day of our lives. That is a really big part of the relationship for us and what binds us really.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
I think it's part of my personality, to find sex really interesting. Not just in the puerile way of, "Oh I want to go and have some sex". It's fascinating, there's an entire realm of human activity that's important and literally vital to our survival and yet we've vilified it. That's one of the reasons that religious station is so fascinating to me.
I'm drawn to female stories, of which there aren't that many, and particularly to stories now about older women. The things they have to confront and override is really fascinating. That's a whole untold part of our world.
It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'
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