A Quote by Kate Bush

Normally I don't compromise at all but it felt important to give that song the chance to be heard. — © Kate Bush
Normally I don't compromise at all but it felt important to give that song the chance to be heard.
When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.
'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.
I watch videos on YouTube of bands that I've heard of that I want to check out. And sometimes I don't even finish the video. And that's really sad, because maybe I'd like that song. I think that we don't give stuff a chance to really sink in.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
I just find that with music I've always felt a sort of comfort."Paranoid Android" was the saddest song I'd ever heard in my life, but it felt so good - it was like, "Oh, you understand where I'm coming from." I was at a weird age at the time, in a hardcore band that had no melody, no chance of finding any success, and I was just trying to figure out what the hell I was going to do with my life. And that came out and changed my life forever - on an artistic level, and a lyrical level, for sure.
Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'.
It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'
Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
It is not so much the content of what one says as the way in which one says it. However important the thing you say, what's the good of it if not heard or, being heard, not felt?
If I can reach the guy in Alabama that hunts, and he hears that song, and he sees me - like, he's comfortable with me, my image as a person, as an artist - he's willing to sit down and give that song a chance.
It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
I don't compromise my values and I don't compromise my work. That's why I've been kicked from one network to the next: I won't give in.
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