A Quote by Kate Bush
When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits of inspiration floating about and grab them.
Related Quotes
When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits inspiration floating about and grab them.
Spend regularly and constantly two or three hours of the morning in study and retirement. I do not take upon me to prescribe what you shall employ yourself about. I only propose the passing two or three hours of the twenty-four in private.
Here is a simple recipe to begin with. Get up every morning with the set intention of writing and go to your desk and sit there for three hours, whether you accomplish anything or not. Before long you will find that you are writing madly, not waiting for inspiration.
People only see two hours of a tennis match where you're fighting and running and sometimes getting upset. There's a lot more than those two hours. Going out there and playing is actually the easy part.
I had one class in the morning, the mysteriously named "Further Maths". It was two hours long and so deeply frightening that I think I went into a trance.
I've never traveled to promote anything I've been in. I've only been to about two or three premieres. The way I work, I do bits, and then I'm off to something else, whether it's theater or another project.
Information is floating around really fast. I write something, or a piece of my music comes out and I see people writing about it on the Internet as if I'm having a conversation with them. We've never met, but somehow, my music is communicating something to them. Very often, it really makes them feel something.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
For my own films, I would like to see 'Bullet in the Head' remastered. The original cut was actually almost three hours.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
During the year, when I'm not doing major tournaments, I'll go to the gym for about two to three hours in the morning and practise darts in the afternoon.
My best friend had a hockey scholarship at Ohio State, so I would get a couple of pairs at the beginning of the season and send them down to him. They practised two hours a day. He'd skate in them for three weeks then ship them back.
That's what I love about writing is you don't need anyone's permission to do it. You can just get up in the morning, grab a pad and pen and start writing.
I haven't any formal schedule, but I love to write in the morning, before breakfast. Sometimes the writing goes so smoothly that I don't take a break for many hours - and consequently have breakfast at two or three in the afternoon on good days.
The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.
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