A Quote by Kate Bush

Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all. — © Kate Bush
Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all.
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
People think six is a great many, when it's children. ...they don't mind six pairs of boots, or six pounds of apples, or six oranges, especially in equations, but they seem to think that you ought not to have five brothers and sisters.
One moment that changed my mentality was the first time I went to Mali when I was six. Soon after that trip, Barcelona signed me, but when I was there I saw children like me, six years old, who didn't have shoes, while I had the opportunity to fulfil my dream. It shocked me. I was six and I didn't understand.
By the way, six A.M.? Not a real great time for me; you know, I'm a comic. I get off work at two. Six A.M., I'm a little grumpy. Six A.M., I'm a little P.O.ed. Six A.M., I'm like a vampire with a paper route.
I am running into a new year and the old years blow back like a wind that I catch in my hair like strong fingers like all my old promises and it will be hard to let go of what I said to myself about myself when I was sixteen and twenty-six and thirty-six but I am running into a new year and I beg what i love and I leave to forgive me.
I checked the actuarial tables, and the lowest death rate is among six-year-olds. So I decided to eat like a six-year-old.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
I never had a story for the sequels, for the last trilogy. That's not really part of the plan at this point, and I'll be at the age where to do another trilogy would take 10 years. I'd always envisioned it as six movies. When you see it in six parts you'll understand that it really ends at part six.
Whether you stay six weeks, six months or six years, always leave it better than you found it.
I lost contact with my father for many years because of apartheid. For, like, six years, I didn't see my dad. And, now, this was the six years of being a teenager.
I make about two movies a year outside the 'True Blood' schedule. I work on a great show six months a year, then outside that I get to satisfy whatever creative urges I have. It's a great position, especially for a single guy like me.
The world, which took six days to make, is likely to take us six thousand years to make out.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
Me and my family, we sort of had this plan to... once we had kids, we had a plan that about every six years we'd move to a new country. So, when we had kids, we moved to Bali for six years, then we went to Australia for six years.
In my experience, my music has drawn people of all ages, which is a real wonderful thing. And at my gigs you get everyone from six year olds to 90 year olds. And I find that really quite moving, actually.
There's no gap between the writer and the performer, which is what I think makes [Monty] Python unique. Five or six people who write Python and five or six who act it. That's what makes it unique.
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