A Quote by Kate Christensen

I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything.
About my marriage life, it has been pretty painful, pretty sad. I can't say there was no unpleasantness at all. I can't say it was smooth and happy or anything. There were lot of painful experiences we both went through.
I've had a pretty crazy life. It's colorful ... reliving some of those closets that I had shut, locked and thrown away the key intentionally because it was painful to revisit a lot of those places - especially the loss of my buddy Robbie Tooley, the divorce of my parents, some of the things I went through as a kid, a lot of that stuff was locked up for a reason - it was painful. But at the same time, there was some therapy in revisiting some of those spots.
Just because I'm talking about something that might have been a sad or painful situation doesn't mean that I'm sad or tortured 24 hours a day any more than anybody else is.
It's a very appropriate show to be doing around Halloween because it's very dark and mysterious. There are some great chorus scenes and some dark stuff and funny stuff as well. It's a really perfect balanced show in many regards.
I want to believe that memories, even sad and painful ones, should not be forgotten forever.
Some people would say comedy draws from some dark places, from your dark stuff. Life's great optimists aren't necessarily the funniest people.
It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
A lot of my stories about the old days, they're delicious and funny. But every time I recall the early days, it's painful. With every anecdote, it's painful because you're summoning up the terribly, terribly difficult life of my parents. And it's painful because I didn't realize at the time how hard it was for them.
A lot of the stuff that I've done has been more drama and less comedy. I've had some opportunities to do some comedy, and I've often wanted to do that because it fits with me very comfortably because I talk too much, and I'm always saying the wrong thing all the time.
Our memories have voices, too. Often sad ones that clamor like raised arms in the dark.
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
I have always been fascinated by dark and mysterious stuff. I guess I have a pretty dark and gloomy side. Writing songs saves me from going completely gonzo.
I started writing poetry when I was six. I had this teacher who didn't believe the poems I'd bring in were mine because they were dark and sad. But I wrote about what I experienced in my childhood.
It was sad, it was sad, it was sad. When Betty came back we didn't sing or laugh, or even argue. We sat drinking in the dark, smoking cigarettes, and when we went to sleep, I didn't put my feet on her body or she on mine like we used to. We slept without touching. We had both been robbed.
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