A Quote by Kate Christensen

For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
The ambition, the drive, the wanting to be the center of attention, the wanting to succeed... They're all inside me somewhere.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
The state of love is this constant flux back and forth between who's saving and who's rescuing, who's wanting and not wanting, who's needing and who isn't. It's always going back and forth between two people who are actually attached.
It's unusual when you get scripts not wanting to change things - I'm one of those actors who writers must hate as I'm always wanting to rewrite or swap bits about.
Going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.
I am going to tell you a secret. Everything is about wanting. Everything. Things happen because of people wanting. Watch closely, and you’ll see what I mean.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
I think that anytime that you can open your eyes and see all that you have and all that you've been blessed with, it's the greatest way to connect you with God, just being grateful rather than always wanting more, wanting to be different, wanting to be better.
I can understand wanting to be invisible and mistrusting people and wanting to understand everything before you engage with the world.
Rock stars wanting to write is even worse than wanting to act in movies, right?
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
In always wanting to be comfortable, you become lazy. In always wanting perfection, you become angry. In always wanting to be rich, you become greedy.
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