A Quote by Kate Christensen

At first blush, it seems odd that loser lit books are rejected initially, then go on to be fiercely loved by legions of readers. This apparent contradiction might be due to the fact that if they didn't screw up their lives, most losers would be the kind of power-elite, Type A go-getters whom readers love to hate.
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
I love the fact that so many of my readers are intelligent, exceptional, accomplished people with an open-minded love of diversity. But even more than that, I love it when my readers find lasting friendship with others of my readers - knowing that they met through their mutual affection for my books and characters makes me happy!
The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.
[I]t's not just the books under fire now that worry me. It is the books that will never be written. The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
I hope children will be happy with the books I've written, and go on to be readers all of their lives.
Engage with your readers as often as you can. Readers, myself included, want a relationship with everyone in their lives, even the people behind the pages of their favorite books.
Twitter is fun because it lets me stay in touch with all my original readers who grew up with my books. I love hearing from readers instantly on Twitter.
Most readers look at the photograph first. If you put it in the middle of the page, the reader will start by looking in the middle. Then her eye must go up to read the headline; this doesn't work, because people have a habit of scanning downwards. However, suppose a few readers do read the headline after seeing the photograph below it. After that, you require them to jump down past the photograph which they have already seen. Not bloody likely.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
Don't stop now. Go ahead! Be readers all of your lives. And don't forget, librarians and teachers can help you find the right books to read.
To me, the solidarity of readers is far more important than the solidarity of writers, particularly since readers in fact find ways to connect over a book or books, whatever they may be.
If I had my way books would not be written in English, but in an exceedingly difficult secret language that only skilled professional readers and story-tellers could interpret. Then people would have to go to public halls and pay good prices to hear. . .
apparent contradiction ... is often the opportunity for new discovery in science; and it even may be said that the absence of apparent contradiction is due to our want of perception, since our knowledge of laws and causes is so small compared to their total sum.
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison, but I don't have any desire to follow her on Twitter. I just want to read her books.
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