A Quote by Kate DiCamillo
The world is dark, and light is precious. Come closer, dear reader. You must trust me. I am telling you a story.
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Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.
Folk tales are my favourite form of story telling. They not only just adjust the reader according to the world it is introducing the reader to, but also enchant the reader with its mysterious and magical characters.
Trust me, I'm telling you stories. ... I can change the story. I am the story.
Stories are light. Light is precious in a world so dark.
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
Imagine that the world is a circle, that God is the center, and that the radii are the different ways human beings live. When those who wish to come closer to God walk towards the center of the circle, they come closer to one another at the same time as to God. The closer they come to God, the closer they come to one another. And the closer they come to one another, the closer they come to God.
Summer has come with the loveliness of a mother Heat, not warmth, now pours onto my face, aging me, taking me closer to death.
Let it. I am here to live my story, to love my story. I will not fail to savor any gift out of a desire for self-preservation. Self-preservation is not a great virtue in this story.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
I see myself as anybody, as everybody; I'm not just telling the story of my life to give the reader a picture of who I am.
That's the gift 'Precious' has given me. You really think you're telling a story about a fat black girl, and only fat black girls will understand it, and then you realize we're all Precious.
No one escapes that moment of innocence when the world attacks him and installs within him the spirit of opposites... As long as everything within you is saying yes and no, dark and light, with big earth-shaking ideas, you come nowhere near art, I think. Light and dark don't exist for us as artists. Light is something given to you and you're allowing it to pass through.
But I am not sure it would contain any short stories. For the short story is a minor art, and it must content itself with moving, exciting and amusing the reader. ...I do not think that there is any (short story) that will give the reader that thrill, that rapture, that fruitful energy which great art can produce.
As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells.
Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
Why have you come to me here, dear heart, with all these instructions? I promise you I will do everything just as you ask. But come closer. Let us give in to grief, however briefly, in each other's arms.
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