A Quote by Kate DiCamillo

The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."
The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
I have a daughter, Catherine, aged 30. I have a 9-year-old son, Nathaniel, a 7-year-old son, Ridley, and a 6-year-old daughter, Truma. I'm 68. The age gap between the younger kids and me is not something I think about much because I feel physically about like I did when I was 40, or at least, I think I do.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
I talk all the time about the eight-year-old me and all the eight-year-olds who are living in their camps.
Call me an over anxious, middle-class mum, but my eight-and-a-half-year old son looks very much, to me, like he's headed for a life of crime.
My 4-year-old son prays every night for his best friend who is the same age - our next door neighbor in Liberia, a little Liberian boy: 'Dear God, please don't let him get Ebola.' I'm proud of him for thinking about his friend and praying for him but that's not a prayer that a 4-year-old should have to consider.
[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
I am an old, old friend of Aaron Sorkin's, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time. The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
I have a six-year-old son and a four-year-old daughter, so I write when they are at school and pre-school, or when I have a babysitter.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
And then what did you do, Lord Oliver?" Karl's eight-year-old daughter gazed up at him in awe, as though this were the best story she had ever heard.
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