A Quote by Kate DiCamillo

As Elmore Leonard says, I write to find out what happens. — © Kate DiCamillo
As Elmore Leonard says, I write to find out what happens.
I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
Let it Ride channels Elmore Leonard at the height of his powers, with dialogue Quentin Tarantino would kill for.
Very little other than Elmore Leonard's crime writing inspiring me on my Batman run.
I'm an enormous fan of American literature, and especially the great novels of Larry McMurtry, 'Lonesome Dove,' Cormac McCarthy, Elmore Leonard.
I admire writers such as Elmore Leonard who can nail a character in three or four lines of dialogue, so he doesn't need pages of back story or clumsy exposition.
For pleasure, I'll read military sf, or Elmore Leonard capers, anything that's fast and fun. Otherwise, I mostly pick at books, without any clear focus.
Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
If Elmore Leonard met Jim Thompson down a dark alley at midnight they might emerge a week later with thick beards, bloodshot eyes and the manuscript for THE BIG O.
Like Richard Price and the late, great Elmore Leonard, Matt Burgess is one of those cool, quick and funny writers who can turn a seemingly routine crime caper into something special.
I'm a big fan of Elmore Leonard, and I've read Ian Rankin, Christopher Brookmyre and so on. But I'd never read a crime novel that made me feel emotional at the end.
Leonard asks me if there's anything I need to know before he dies, I think about it for a minute, turn to him, say what's the meaning of life, Leonard? He laughs, says that's an easy one, my son, it's whatever you want it to be.
When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
I can still remember my mum (a voracious, if not discriminating, reader - I have seen everything from the sublime to the ridiculous by her bed, from Ian Rankin and Elmore Leonard to Barbara Cartland and James Patterson) taking me to get my library card when I was four and not yet at school.
There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
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