A Quote by Kate DiCamillo

To me, this is one of the great things about writing kids' books: the illustrations. — © Kate DiCamillo
To me, this is one of the great things about writing kids' books: the illustrations.
I never thought I was writing for kids at all. It really shocked and unsettled me to hear kids were buying the books. If I'd known I was writing for kids, I might actually have spelt things out a bit more, and that would probably have killed the appeal.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I always say it's a shame picture books get such a bad rep. Illustrations are tough to sell older kids on!
With my adult books, for the first six weeks or so, it's about 60 percent ebooks in terms of sales. The kids' books, it's like 5 percent. Which means that the parents, the ones that aren't going into stores now, they're no longer buying books for their kids, which is not great.
I was reluctant to talk about my kids on the blog. I kept telling myself, "People aren't coming here for stories about your kids. They want to hear about the upcoming books, writing advice, conventions..."
When I'm not writing or working on books as a publisher, I'm doing things that make me happy. One is skiing with my kids and husband. I love sports.
My father brought me a box of books once when I was about three and a half or four. I remember the carton they were in and the covers with illustrations by Newell C. Wyeth.
One of the things that made me try writing novels was I could take time off to be with the kids. That's the practical side of what I love about the writing life.
There is the myth that writing books for children is easier than writing books for grownups, whereas we know that truly great books for children are works of genius, whether it's 'Alice in Wonderland' or the 'Gruffalo' or 'Northern Lights.' When it's a great book, it's a great book, whether it's for children or not.
I feel lucky that my career so far has included books for adults and books for kids. They're equally important to me, and I hope I get to continue writing both.
One of the great things about writing middle-grade books is that it's really a nice break, when you're writing super intense stuff like 'Coldtown', to be able to write something a little lighter - calm down and do something different.
Kids love to be silly, they love to laugh, so I think it was natural for my kids to like the sort of books that I write - and it's the only kinds of books I'm capable of writing.
Writing, for me, is the great organiser. It's while writing that I think most deeply about things.
We give scholarships to high school kids and a new library of books to every preschool child in the county where I was born. I didn't have books at home so I did all my reading at school. I love books and I believe that helping kids to read gives them a great start in life.
Dreams are illustrations from the book your soul is writing about you.
I try to craft books that are fun, that are sort of subversively educational so kids learn but they don't really feel like they're being lectured to, and I want kids to always finish one of my books and think, "That was great, where's the next one?"
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