A Quote by Kate DiCamillo

My goal is two pages a day, five days a week. I never want to write, but I'm always glad that I have done it. After I write, I go to work at the bookstore. — © Kate DiCamillo
My goal is two pages a day, five days a week. I never want to write, but I'm always glad that I have done it. After I write, I go to work at the bookstore.
The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book.
I work seven days a week, from 9 in the morning till 8 at night. I have the titles of the next eight novels I want to write. I feel myself pitiable, degraded on a day that I don't write.
Anyone can sit down and write two pages of a novel, then forget about it, and a week later write five pages of a screenplay, then forget about it, and a week later start another novel... etc, etc.
My boyfriend suggested I write two pages a day. He wouldn't take me out if I hadn't done my two pages. That's how I wrote my second novel.
For me, the process always has to be pretty intense. I could never write just two or three days a week. It had to be every day.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.
I start work at 7 A.M. and write all day, seven days a week. If I don't write, I can't sleep.
I used to be able to write five pages a day, every day, no problem. Now a good day is five or four pages, and that's from 9:30 A.M. until 6 P.M.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.
I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
I still work out most days. When I do it, I go full blast five or six days a week, two to three hours a day. I enjoy it. It's therapeutic for me.
I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
For days on end, I avoid the Web, never logging in until about two or three, after I've written all morning. On a good week, I don't go online till after Wednesday, so four or five days might lapse without my checking e-mail.
I tend to write two stories every day, five days a week. It's a real grind. But it also allows me to really try to have my finger on the pulse of injustice in America.
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