A Quote by Kate DiCamillo

I was a very sickly kid and suffered from chronic pneumonia, which is why we moved to the warm southern climate. I think being ill contributed to my development as a writer. I learned early on to entertain myself by reading.
I have chronic - well, I like to call it late-stage Lyme disease and not chronic, because I like to think someday I'll be all the way cured. It took me a really long time to get diagnosed, and I was misdiagnosed for a long, long time. I was very ill during the end of Le Tigre, which was kind of why that ended, amongst other things.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' โ€” which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was โ€” losing myself in these imaginary worlds.
A man I know who writes and aspires to be a novelist does very little reading, and he's not that successful. But I think it's because he's like the kid who wants to be a ballplayer and never goes to the ballpark or tries to hit a ball. So I'd say reading is the most important thing that I do, besides the actual writing. I'm always asking as I read, "How did the writer do this? Why do I suddenly have tears in my eyes? Why am I crying?"
There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.
The gods have chosen to entertain me with chronic eyestrain headaches. Very poisonous episodes. So I don't do a lot of reading anymore except on tape.
Why will people persist in reading strange meanings into the simplest of story? Is it not enough that a writer can entertain for a few hours with narrative without being suspected of 'significances' or symbolism or 'social trends'?
My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.
I think the impulse took shape in early childhood when I was very ill with lymphoma for a number of years. I spent a lot of time in hospitals and sick-rooms, being read to by various relatives, and I learned to associate books with love and attention.
No one is born a writer; literacy is a peculiar mode of being, but I was all about stories from a very early age, before reading.
I was the worst, most sickly kid of all - 30 pounds underweight. The girls used to beat me up. Actually I was a mean kid, early on because I had no self-esteem.
One of the first lessons I learned as a mom was to forgive myself for not being perfect and to try to prioritize what was really important. I had to really accept very early on that after a while, reading a script and finding the form for the class trip, it was hard to realize which one had priority at times. So I just had to say, "You're doing the best you can, and when you make a mistake, apologize. Your kids know that you love them."
Early childhood development has proved to be very beneficial and very cost-effective in societies where this is been tried. So let's not confine ourselves to primary education. Let's think of early childhood development and education as a whole.
When a man is ill his very goodness is sickly.
Humour is learned behaviour, and I know exactly why I learned to be funny. I did it from a very early age. My dad was a hilarious man, and the way we interacted was being silly together. It was a way to hold his attention.
Reading and writing are connected. I learned to read very early so I could read the comics, which I then started to draw.
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