A Quote by Kate DiCamillo

There's still, even now, a part of me that can't believe that I got published. That part of me has never gone away. — © Kate DiCamillo
There's still, even now, a part of me that can't believe that I got published. That part of me has never gone away.
We've left the moment. It's gone. We're somewhere else now, and that's okay. We've still got that moment with us somewhere, deep in our memory, seeping into our DNA. And when our cells get scattered , whenever that happens, this moment will still exist in them. Those cells might be the biulding block of something new. A planet or star or a sunflower, a baby. Maybe even a cockroach. Who knows? Whatever it is, it'll be a part of us, this thing right here and now, and we'll be a part of it.
Pain is part of how I get inspiration and part of how I gain wisdom on life. I guess the point I'm trying to make is that I don't transform it, I just let it be. I kind of let it move through me, let it consume me and I let it take me over and hurt me, and I let it go away when it's ready to go away and I understand that it's just part of the process.
I grew up in a very religious family, so that was never going to leave me. I just accepted it over the years. Although I'm not religious myself, it is so much a part of me. It's a part of my history, a part of my tradition and my culture, so I don't want to just throw it away and leave it behind, because it's made me who I am today.
Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.
There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.
I've never tried to be anything but me. Even with Slipknot, where it can almost feel like a roll sometimes, it's still a part of who I am. It's a very strong and passionate part of who I am, and I'm lucky enough to have an audience that is really open to what I do.
It sustained me... I can't tell you how much their support meant to me when I was leaving and coming back and even while I was gone, there was a part of me that knew people were pulling for me.
I believe that there is an important part of every human being that is defined in terms of their significant other: how we choose our partner, and how we behave when we are with them. And that is the part that interests me. How that part of the personality is forged doesn't just interest me, it fascinates me.
I never envisioned myself playing for the U.S. Olympic team -- growing up, I never envisioned playing in the NBA, to be real with you. I never envisioned that type of stuff. So this is like a dream that I never had come true. It's like I'm a part of what's really going on. It's still very hard for me to believe that I am really going to be a part of the biggest thing in the whole entire world.
I make my patients feel like they're still part of life, part of some grand nutty scheme instead of alone with their diseases. With me, they still feel part of the human race.
I'm an amalgamation of what I've needed to be. Part scholar, part rebel, part nobleman, part Mistborn, and part soldier. Sometimes I don't even know myself. I had a devil of a time getting all those pieces to work together. And, just when I'm starting to get it figured out, the world up and ends on me.
He should be the one to die, part of me thinks. I don't want to lose him, another part argues. I don't know which part to believe.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
I have gone through my life loving dance. No matter what, it's never gone away and I love watching it, taking part in it, creating it. I've never lost the love for it.
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
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