A Quote by Kate Fleetwood

I looked at but was not allowed to touch Ai Weiwei's 'Sunflower Seeds' at the Tate. The film of making them was really moving. — © Kate Fleetwood
I looked at but was not allowed to touch Ai Weiwei's 'Sunflower Seeds' at the Tate. The film of making them was really moving.
I kick off my metabolism with a glass of O.J. and a pretty big smoothie. I put in chia seeds, flax seeds, raw organic honey, fresh spinach, hemp seeds, avocado, matcha, spirulina, raw almond butter, almond milk, berries, sunflower seeds, and pumpkin seeds.
I've never looked at film-making as a career. I've looked on film-making as an adventure. When you come down the mountain, you get ready to climb again.
On some level, there's a limit to what the government really worries about when it comes to a guy like Ai Weiwei, who's talking to a limited audience of people. He's talking to people who more or less already agree with him.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
Ai Weiwei, who is both a widely admired conceptual artist and a fearless human-rights activist, has been on the bad side of the Chinese government for years.
I faced the gaudy sunflower on her canvas bag -- it looked hand-painted and at last my eyes fell into hers. I said, 'Thanks for the card.' Her smile put the sunflower to shame. She walked off.
Someone was sitting in front of a sunflower, watching the sunflower, a cup of sun, and so I tried it too. It was wonderful; I felt the whole universe in the sunflower. That was my experience. Sunflower meditation. A wonderful confidence appeared. You can see the whole universe in a flower.
There are not too many fables about man's misuse of sunflower seeds.
For lunch, it's usually a salad with sunflower seeds, cucumbers, celery, and a lot of vegetables.
There's a reason the Chinese government is very concerned about Ai Weiwei. It's because he has all of these ingredients in his life that allow him to attract enormous attention across a very broad spectrum of the population.
The conceptual artist Ai WeiWei illustrates the schizoid society that rapid change has produced - sometimes by reassembling Ming-style furniture into absurd and useless arrangements, or by carefully painting and antiquing a Coca-Cola logo on an ancient Chinese pot.
I admire Ai Weiwei for his art and his activism. His art is beautiful in form, and in function embodies the principles of populism and social consciousness I aspire to in my own practice.
Making the AI better in a video game is not like making the AI better in, say, a chess game. Making it better in terms of acting ability - we're basically improving its acting so that the user can have more fun.
We are so impressed by scientific clank that we feel we ought not to say that the sunflower turns because it knows where the sun is. It is almost second nature to us to prefer explanations . . . with a large vocabulary. We are much more comfortable when we are assured that the sunflower turns because it is heliotropic. The trouble with that kind of talk is that it tempts us to think that we know what the sunflower is up to. But we don't. The sunflower is a mystery, just as every single thing in the universe is.
One thing ImageNet changed in the field of AI is suddenly people realized the thankless work of making a dataset was at the core of AI research.
I believe in the future of AI changing the world. The question is, who is changing AI? It is really important to bring diverse groups of students and future leaders into the development of AI.
This site uses cookies to ensure you get the best experience. More info...
Got it!