A Quote by Kate Forsyth

Stories are like that. Like cities, they are built on the stones and bones of the past. — © Kate Forsyth
Stories are like that. Like cities, they are built on the stones and bones of the past.
Sticks and stones may break your bones but words can hurt like hell.
Short stories are like individual jewel stones on a necklace, wonderful in themselves like standalone gleaming entities of semantic intensity.
Hey, this is Europe. We took it from nobody; we won it from the bare soil that the ice left. The bones of our ancestors, and the stones of their works, are everywhere. Our liberties were won in wars and revolutions so terrible that we do not fear our governors: they fear us. Our children giggle and eat ice-cream in the palaces of past rulers. We snap our fingers at kings. We laugh at popes. When we have built up tyrants, we have brought them down. And we have nuclear ********* weapons.
I'm really interested in trying to tell stories about women that don't involve romantic components. That's so much a part of the way we feel about female characters and their needs that it feels like it's built in - but I'd like to find a way that it's not. There are so many more stories than that.
I don't like going to cities. I don't mind maybe being in a city sometimes for a few hours, but I pretty much don't like cities. I don't even like passing through them.
By rebuilding transportation so that you're not owning this thing that just sits there all the time, you get to rebuild cities in the process. If we do this right as a country, we have a chance to re-create our cities with the people, rather than cars, at the center. Our cities today have been built for the car. They've been built for car ownership. Imagine walking around in the city where you don't see any parking lots and you don't need that many roads.
I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
They'll touch you and look at your skin to see if it's paint. I'm not playing. All Russia is not like that. You've got your big cities like Moscow, St. Petersburg. Some cities understand that there are black people. They do exist. But the smaller cities, the little villages, they've never seen it.
I don't like landscapes. I like cities. Lots of cities. I like buildings. I like streets.
I don't like all these flashy cities like L.A. or Miami. I don't know if I could be the same player if I played in those cities.
Cities might become biological entities, walls hung with curtains of algae that glow at night and sequester carbon, and floors made from tweaked cellular material that strengthens like bones as we walk on it.
Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
And I will look down and see my murmuring bones and the deep water like wind, like a roof of wind, and after a long time they cannot distinguish even bones upon the lonely and inviolate sand.
The past has been given to us. The future must be built, as others have built our past.
I like The Beatles and I like The Kinks and I like The Rolling Stones and I like Led Zeppelin and I like Black Sabbath.
The Lynburns built this town on their blood and bones." "That was their first mistake," Jared said. "They should've built a city on rock and roll.
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