A Quote by Kate Herron

You get so deep into something when you are filming, it's almost like writing it again when you are in the edit. — © Kate Herron
You get so deep into something when you are filming, it's almost like writing it again when you are in the edit.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.
When you're writing a screenplay, it's like you're dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it.
Writing a song is almost like cheating-writing because you don't have to finish your sentences, you don't have to use any punctuation, no one's going to edit your work. It's so wide open. People just grunt and that's a song. You can kind of do anything.
I think a lot of the logic of Google+ is much better in terms of notification of messages to you, in terms of how you post. One very obvious feature is that with Google+, after you post something, you can edit it forever. That is true of both posts and comments. I edit almost every post I make and almost every comment I make.
My routine is to create activities for myself unrelated to writing that allow little time for writing. This means that when I do get the chance to write, it is like a stolen luxury, something clandestine and almost forbidden.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
You get three hours' sleep and then you start all over again. Relentless. Pre-production was almost harder than filming. I was all over the city every day. It was really exhausting.
Take the time you need to learn the craft. Then sit down and write. When you hand over your completed manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. After you have written a great query letter, go to AgentQuery.com. This site is an invaluable resource that lists agents in your genre. Submit, accept rejection as part of the process, and submit again. And, of course, never give up.
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.
I think it's almost impossible to edit something to death. I think you can make things better almost indefinitely.
There's something about taking a film from concept to script, through production, and then to see the final thing happening in the edit phase. It's almost like a miracle in the making.
If you're writing, it means getting up and writing all day, and if you're filming, it's getting up and filming all day. I get up, go to my computer, write, turn it off, and go to bed. That is a Clarkson day.
Sometimes when an actor says something almost perfect, but you know you have to edit it, if you tell them to change something immediately, it will come out great
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