A Quote by Kate Herron

It's about Loki's journey, and he's a character that wants the throne in episode one whereas by the finale, he doesn't want that. — © Kate Herron
It's about Loki's journey, and he's a character that wants the throne in episode one whereas by the finale, he doesn't want that.
In the writers' room, when we talk about each episode, we first talk about the character journey of the episode.
I always thought of episode 1 as the prologue and episode 2 as our chapter 1 for 'Loki.'
It's interesting the whole Kardashian thing with 'Offspring' because really my choices - with my costume designer - for every single episode are based on the emotional journey of that episode for the character.
Alligator Loki, who knows what the alligator's story could be? That was always fun - the debate about whether it's a Loki, or if it's just an alligator with horns on its head. I think he is a Loki.
There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
With the finale episode of 'Gravity Falls' our job as storytellers is to finish all the things we've started.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
Everything I've ever learned about acting - and I went to theater school - was about playing what the character wants and throwing yourself fully into going after what the character wants.
The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously.
The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
It's been such a nice journey doing 'When Calls the Heart' from Episode 1 to Episode 12. It's been a really, really nice journey.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
This idea that you can watch a show like 'True Detective,' and it was awesome, but is it really ruined for you if the finale is not your favorite episode of it? It's just odd to me.
Well, there's that beautiful quote about Loki from the comics, which is that he's the god of outcasts, and I think he said 'They see themselves in me, and I in them.' I think that's a big part of why I love Loki, but also, you know, he is isolated.
There are not that many jobs as an actor where you don't get to know what your character will be doing from episode to episode.
There are story-room sessions where you think about the big picture, like a novel, but once you have certain things in place, you have to treat each episode like an hour of TV, and think that maybe this will be the only episode that anyone will ever watch. You want to have some sort of beginning, middle, and end to the episode, even if you have storylines that are carrying over. You still want it to feel like a cohesive hour of entertainment. And you can't think about both at the same time.
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