A Quote by Kate Herron

Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on 'Loki.' — © Kate Herron
Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on 'Loki.'
I would say that when I joined 'Loki,' it was always going to be those six episodes. We were treating it like a movie, and we were running it like a movie. We weren't doing it in the showrunner system.
Marvel has a very specific MCU in-house style with the costumes, and so I thought, 'Oh, it could be so fun to put this original Loki in an outfit that maybe Loki would have worn in a movie like 40 years ago.'
First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.
Well, I don't know. When I signed my contract, I signed to play Loki in five more Marvel movies, but they were unspecified. So, if there will be more movies or not remains to be seen, but I like the idea of Loki turning up in the shadows when people least expect him, but you never know these things, the world changes and the things change, but I feel like I know who Loki is, so I wouldn't mind.
I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
I suffer from manic-depressive disorder, and I've chosen not to take medication for it. Because of that, every once in a while I go through manic episodes and really depressed episodes.
What's really amazing is that the showrunner who really got me my start in TV is Andrew Kreisberg. He brought me on to 'Arrow,' and he tracked me down because he was a fan of 'Punisher.'
I still love Marvel to death and I had a great experience, and it was a really tough decision to leave Marvel. It was a very easy decision to come to DC; it was very difficult to leave Marvel. And I really wanted to draw Batman, and really, that was entirely the discussion when it came to coming to DC.
I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
When I joined the project, we always knew that Loki and Sylvie were going to go to He Who Remains, and the multiverse would be released. So I already knew when I got the job that it was going to be a massive undertaking to do that and a big responsibility for Marvel to get it right.
The difference between directing film and directing television is so stark simply because TV is a living breathing organism already when you direct an episode.
Alligator Loki, who knows what the alligator's story could be? That was always fun - the debate about whether it's a Loki, or if it's just an alligator with horns on its head. I think he is a Loki.
The most important decision you can make as a showrunner when you're doing a pilot is who's in it and who's directing it.
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