A Quote by Kate Jacobs

It's all about getting the hand of things. Easy does it; take it easy. You'll figure everything out in time. But for right now, just keep trying. Pay attention and avoid the temptation to go further than you're ready. Talk less. And listen more.
Al Qaeda is not the organization now that it was before. It is under stress organizationally. Its leadership spends more time trying to figure out how to keep from getting caught than they do trying to launch operations.
There's the way modern music is produced, which is, 'Here's a piece of music, and I'm the producer, so pay me and make sure my credit is right and get me my splits.' But I'm trying to go backward. Now, it's more like 'What's the texture? What's the over-arching story?' There are more things to pay attention to than 'Is this the right snare?'
I always go heavy and I always go to failure. Even when I tell myself I'm gonna go easy, once I get to the gym and start working, I never end up going easy. I hate leaving the floor feeling like I could have done more weight or more reps. I just love working out and going further than I ever did before.
When you want to do a big thing, get the mental pattern, make it perfect, know just what it means, enlarge your thought, keep it to yourself, pass it over to the creative power behind all things, wait and listen, and when the impression comes, follow it with assurance. Don't talk to anyone about it. Never listen to negative talk or pay attention to it and you will succeed where all others fail.
Whether for company or isolation or just to make it a pleasurable experience, I have music in my ears all the time. I tend to listen to the same things, so I don't really pay too much attention to it. But it's there, and it's nice, and I do pay more attention to it than I probably should. I think, 'How can I use this music in something?'
People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.
If you're studying from a book and trying to listen in on a conversation at the same time, those are two separate projects, each started and maintained by distinct circuits in the brain. Pay more attention to one for a moment and you're automatically paying less attention to the other.
This whole thing about, 'Take it easy, you had a heart attack, you might die,' I don't have time to take it easy. I might go at any point now. So, I want to get as much done as I can!
My biggest thing I've learned is just putting time into getting ready. When we're young, you just go on the court and just hoop. But I think as you get older, it's more about, making sure everything is firing and making sure everything is ready to go and warmed up.
When things go right it's hard to figure out why, but when things go wrong it's really easy.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
My mom is just someone who's easy to talk to and hang with. My sister, it's always cool to be able to help her out with things. My brother is fun when we're just joking and messing around. And my dad is someone who's helpful with my music and easy to talk to about that stuff because he understands me in that sense.
It’s hard for everyone isn’t it? Anyone who says it’s easy is a liar. There’s this huge divide between me and Alex right now because I feel like we’re living in such different worlds, I don’t know what to talk about with him anymore. And we used to be able to talk all night. He phones once a week and I listen to what he’s been up to during the week and try to bite my tongue every time I go into another Katie story. Truth is I have nothing other to talk about but her and I know it bores people. I think I used to be interesting once upon a time.
Writing a story starts out as a puzzle in your mind, of "What is it I'm fantasizing about right now that makes me think this is going to be worth years of work?" And you just keep pushing and trying to figure it out, and once you've hit on these resonances... Then as a screenwriter, it can be dangerous if you get too hooked on just finding things that resonate with each other, because then you risk getting into stuff that's too neat, and becomes stifled as storytelling. But you do feel like you're on the right track when you start to have a sense of what goes with what.
We used to think that you could pay attention to five to nine things at a time. We now know that's not true. That's a crazy overestimate. The conscious mind can attend to about three things at once. Trying to juggle any more than that, and you're going to lose some brainpower.
It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords.
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