A Quote by Kate Leth

I am definitely a Tim Burton fan. I had seen 'Edward Scissorhands' enough times to know it by heart. That's exciting: to work on something you feel like you really get.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
I think a lot of 'Edward Scissorhands' was about the suburban world that Burton grew up in feeling like an outcast. I feel like there's no way it's not at least a little autobiographical from that standpoint. I always liked that.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
I've always liked fairy tale and spectacle. I wouldn't say I was a fantasy fan, but anything beyond reality I've always found exciting - the work of David Lynch, the work of Tim Burton. But for me, I also love those things that are absolutely about human relationships.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
I've worked with Tim Burton five times, and it's just like being part of a family; life doesn't get much better than that.
I can get into my own head [and] not have to really envision that girl. I am that girl and I know what I want something to feel like and move like. It's really inspiring, of course, to see so many girls wearing the line and I love their take on it, it almost feels like this religion or something at this point. It's really exciting.
I don't think I've had love at first sight. But, I've definitely had moments where I've seen a person, and I'm like, 'Wow, there is something different about you, and I really want to get to know you.'
I don't think I've had love at first sight. But,I've definitely had moments where I've seen a person, and I'm like, 'Wow, there is something different about you, and I really want to get to know you.'
I was a big fan of the Tim Burton films. I really liked the character. And I remember thinking the Batmobile was very cool.
Working with Tim Burton is like a psychic experience -Tim waves his hands and says, 'I don't know,' and you go home and do it. He's the most articulate nonverbal person in the world. He doesn't say a word, and you know exactly what it means.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
I thought 'Charlie And The Chocolate Factory' was terrible. I'm a big fan of Johnny Depp and Tim Burton, so I don't know what went wrong with that.
I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'
Tim Burton is an artist who has had a huge influence on me. I definitely share his sensibility. It's a joyful approach to darkness.
I'm an enormous Tim Burton fan.
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