A Quote by Kate Leth
I worked in a comic shop for five years, and the amount of titles I could excitedly recommend to teenage girls was pretty abysmal for awhile.
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Teenage years are hard. And, having taught high school for a number of years, I think they're particularly hard on teenage girls. The most self-conscious human beings on the planet are teenage girls.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
I tend to latch on to things pretty obsessively for awhile. I listened to Russian pop music exclusively for almost five years. It's weird.
I don't consider Los Angeles home anymore; ultimately, it was pretty negative, but I did spend my formative years in the Valley and all around L.A. proper. Through my teenage years and into my young adulthood, up until the age of 30, I spent a good amount of time there.
Dad worked in the same shop, behind the same counter, five or six days a week, for 38 years, and hated it.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
Bruce Sutter has been around for awhile and he's pretty old. He's thirty-five years old. That will give you some idea of how old he is.
I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'.
I got my first job when I moved to Los Angeles. I worked at a coffee shop for five years and it was one of the best experiences I ever had. It was a bunch of actors covering shifts for each other and becoming great friends.
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
When 'Dare Me' was first in development, it was hard to make the case for why it'd be interesting to anybody other than teenage girls. It'd often be treated, like, on first glance, 'What is this? 'Pretty Little Liars?' 'Mean Girls?'' It never was that.
I worked in casting for about five years before I became a director, and that taught me a huge amount because you never actually will see the character walk through the door - and if you do, then you have to be slightly suspicious of that.
I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.
I'd recommend the high road to anybody. You wonder about it and you don't really appreciate it until you do it and you find that it worked for everyone. But I recommend it.
I think the premise of somebody trying to recreate a night from their teenage years stuck with me as something potentially very tragically comic.
I'm a big comic book geek and I've been reading comic books since pretty much since I was five or six in 1971 or something like that. So, I mean, I read it all and there's certainly a lot of different iterations of Superman that I personally have enjoyed more than others.
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