A Quote by Kate Leth

I hope 'Hellcat' is picked up again in years to come by people who realize just how queer it is: not just in its characters but its sensibility. — © Kate Leth
I hope 'Hellcat' is picked up again in years to come by people who realize just how queer it is: not just in its characters but its sensibility.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.
I'm not an art director; I'm just not. I've always been somebody who has a sensibility that I hope is the same sensibility of others.
People all the time come up and ask how we do this or how we do that, and there isn't any secret to it. You're just getting bashed with something, and you're either a man and you take it, or you're not. People don't realize the toughness of WWE superstars.
I think the original 'Queer Eye' definitely started us on the journey to normalize the LGBT community and make people realize that we are just people just like everyone else. It started the road to acceptance.
You just pour your heart and soul into a project, and everyone pays their dues, and everyone on the crew, everyone works so hard. Then you just don't know how the show ends up. You just hope that it turns out great, and you hope that people respond to it, and you hope that the network accepts a Season Two.
I started skating when I was about 10 years old. It was in an alleyway. I picked up my brother's skateboard and stood on it. I started to roll down the alley, and I yelled at my brother asking him how I turn the thing. At the end of the alley, I just jumped off, picked up the board and physically turned it around.
All my friends were doing just dumb stuff that kids do, like making out with people at parties and starting to date... I didn't know any gay people growing up or any queer people growing up, and so I just really felt alone and kind of lost, and I just wasn't experiencing life.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
My mother played a little bit of the old time clawhammer. She tuned the banjo up and picked one tune for me, and it just become natural to me. When she picked it, I just started and picked it, too.
People who grew up before the blogosphere, I just think that your brain is wired differently. I feel like in some ways my sensibility is aligned with people twenty years older than me than somebody six years younger. Because there was a sort of cutoff.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
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