A Quote by Kate Levering
I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything.
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I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything. It was for 'Chicago.' There were probably three hundred people there.
When I first went to New York I was right out of high school, I was 17 years old, and I had never seen a building over two stories high.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
You know, my first nine years I only played for two teams, Chicago and New York. And the only reason I got traded from New York was the 2010 free agency period, when they had a chance to sign LeBron and D-Wade and that whole class, and I understood that. But from there it's kind of been a roller coaster.
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
If I had to compare any of the two, I'd compare the first one in Edmonton, the first one here in New York because it had been so long in New York since we had won. Obviously, being the first time to ever win the cup in Edmonton, they were fairly similar in that regard.
'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
I used to live in New York City, then when my son was two years old we moved to Cambridge Massachusetts and we've been there ever since. My son is now twenty-nine years old, so we've been up there for a while.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
When I first started acting I was about nine years old. I had never been to audition in my life and my agent sent me out. It was just a commercial for 'Harry Potter.' That was the first thing I ever went out for and I got the 'Harry Potter' commercial which was really cool, but I didn't play Harry Potter.
I didn't realize it, but the days came along one after another, and then two years were gone, and everything was gone, and I was gone.
When I got my very first phone call that I'd hit the 'New York Times' list, I had a small rush of 'I've made it!' But the next morning, it occurred to me I didn't know what it was, so I called my agent and asked what being a 'New York Times' bestselling author really meant. He informed me that I was now a thousand pound gorilla.
My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
My first professional audition as an actor was when I was about 12 years old, and it was for a children's television show called 'M.I. High,' which I ended up doing for two years.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
If there ever was an aviary overstocked with jays it is that Yaptown-on-the-Hudson, call New York. Cosmopolitan they call it, you bet. So's a piece of fly-paper. You listen close when they're buzzing and trying to pull their feet out of the sticky stuff. "Little old New York's good enough for us"--that's what they sing.
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