A Quote by Kate Levering

I've been dancing since I was seven, but I never really developed a regimen until I was on Broadway and responsible for a professional performance every night. — © Kate Levering
I've been dancing since I was seven, but I never really developed a regimen until I was on Broadway and responsible for a professional performance every night.
Now, you ban not the whole Muslim world. You ban seven states, seven states that have not been responsible for a single terrorist act. Those are the seven [Donald Trump] banned. But, you leave the ones that really are responsible, like Saudi Arabia, which is the center for propaganda and funding and so on for radical Islamic Jihadism, well you can't touch them because of business interests, also they have oil and so on and so forth.
We try to live by the secret of sevens. A friend, who has been married for over 40 years, told us about this magic. Make and keep a date every seven days, take a night away alone, for yourself, every seven weeks, and schedule an adult-only vacation every seven months.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Since finishing my professional dancing career, I've been conscious of not letting myself go.
I started dancing at age three and then got involved in musical theatre and acting around age seven. I think I've probably known since then that I want to be a professional actor.
I'm really strict with my skincare regimen. No matter what's happening in my life, I wash my face every single night and I moisturize - even if it's 4 A.M.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed.
It's probably my favorite part of my whole showbiz experience, is Broadway. The community of Broadway. That feeling that happens every night.
When I was on Broadway, my most recent Broadway show was 'Spring Awakening,' and every night I did a topless scene.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
Since politics — until recently — has been a man’s world, men, as a whole are responsible for its corruption.
My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.
It never occurred to me that I was a leading man until I was 19 years old. I had been acting since I was 10, so that's nine years and 30 or 40 plays, in school and summer stock, professional theater, too.
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