A Quote by Kate McKinnon

For 'Ghostbusters,' the thing that makes it such an amazing franchise and an amazing idea is that it is adds the element of physics and technology. It's not just about ghosts. Who the heck came up with that? It is such a good idea, such a unique combination of stuff from different genres. Ghosts and sci fi.
(What are your ghosts like?) (They are on the insides of the lids of my eyes.) (This is also where my ghosts reside.) (You have ghosts?) (Of course I have ghosts.) (But you are a child.) (I am not a child.) (But you have not known love.) (These are my ghosts, the spaces amid love.)
When Paul Heyman came and gave me the whole idea for the character, 'The Franchise,' I remember the NFL was just starting to classify one of their players as the franchise player. So that was the whole idea, that 'The Franchise' was the franchise player for ECW.
I was thinking about the legacy of ghosts in fiction, and specifically the moral power of those Dickensian ghosts. Because a ghost can be a very powerful but also manipulative element.
One of my symptoms included my obsession with ghosts and law enforcement - I carry around a police badge with me, for example. I became obsessed by Hans Holzer, the greatest ghost hunter ever. That's when the idea of my film Ghostbusters was born.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
When we did this reboot, I thought 'Ghostbusters' fans would be so excited: 'They've got the new technology - the ghosts are going to look real now.'
What was so great about Lost was that it came to the front door as a drama that was straight-up and really gave you the sci-fi underneath it all. It backed into sci-fi show, at least in my opinion. As soon as they got hooked, they were like, "Okay, I'm there."
I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.
Sci-fi fans are a different breed. They are so loyal, it's unbelievable. They've seen every sci-fi thing I've done, and then they started watching 'Homeland' because I was in it.
I've talked to ghosts once. For me, it makes sense for them to be real because of physics. In physics, you can't destroy energy; it can only be conserved.
When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.
To be honest, I wasn't a sci-fi geek at all. But I do love a good sci-fi film, especially one that can really take you away. And I read some reality-bending novels growing up, like stuff by Vonngeut, so I already had one part my brain open to the unnatural and unusual, and it's generally fun to venture into that world and film in it.
You can make amazing sci-fi films if you want to with very, very little money and very advanced technology that can run on your desktop.
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
With supernatural things, I have heard ghosts, but I've never seen ghosts. I do seek ghosts and I would love to see one, but I would crap my pants.
I have done a lot of sci-fi, not out of choice, necessarily. It's just that I'm Canadian, and it's more cost-efficient to film sci-fi up here.
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