A Quote by Kate McKinnon
It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.
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It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.
Playing villains is very liberating because unlike the leading man, nothing is expected of you. Leading men have to look good, they have to behave in a certain way, they have to fulfill an audience's expectations. But as a bad guy, you have free license to take the audience by surprise. And that's what audiences want - they want unpredictability from their villains. The villain's job is to subvert it.
In many ways, playing a real person is slightly easier because you have a road map. When you're playing someone fictitious, there's myriad ways in. With a real person, there's boundaries, and that sometimes makes the work easier.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
For a long time it had seemed to me that life was about to begin -- real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life.
It's easier to do comedy with an audience, because their reactions tell you whether or not what your saying qualifies as comedy.
I think comedy is so much easier to do on the page than it is in real life. When I'm writing, comedy is an easy way to win over the reader. You're automatically more disposed to keep reading, thinking maybe, "I'll get another laugh or two." I think it's a survival instinct in me. I mean, you don't want to lose these guys within five or ten pages. You want them to keep going. I think to some extent it's a desperate measure that I throw out there, because a novel isn't a complete waste of time if it made you laugh.
Going before an audience of people who expect you to be funny is tough. Going before an audience that expect you to be boring, and then being a little funny, is much easier. I prefer easier.
It's so much easier for me to talk about my life in front of two thousand people than it is one-to-one. I'm a real defensive person, because if you were sensitive in my neighborhood you were something to eat.
I am an actor. Let me act, let me audition. Let me show what I can do. You need to surprise yourself every time and that will surprise the audience or casting person.
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
A person who is a comedian does comedy in real life, too. But then there are others, too, who are very good in real life, but can't perform in front of the camera. They get nervous. Nevertheless, an inborn comedian does comedy whether he is in films or not.
If the audience is responding very well to comedians that are hacks, and I don't do well, I don't feel as bad, because I feel like their taste is different than mine. They're laughing at somebody I would never laugh at, so that makes it okay, because obviously our tastes are not in the same place. And comedy is subjective, so I feel like maybe the failure wasn't all mine. I don't think they ever would have really enjoyed me. So sometimes that's a little easier, but not much.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
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