A Quote by Kate Micucci

I secretly wanted to act. I also wanted be a toy designer and make puppets. — © Kate Micucci
I secretly wanted to act. I also wanted be a toy designer and make puppets.
Static puppets, I wanted them to move, they're looking out the windows, but we didn't have time to rig those. I have more ideas than I can execute also every time that I do anything. I put the puppets in because people love 'em. I'm a populist in that sense.
I, throughout my life, wanted to be a wrestler. I also wanted to be a kickboxer. And I also wanted to make video games. Obviously, kickboxing - not happening. Ever. I do not want to get Muay Thai'd in the face!
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Secretly, I had always wanted to go to Vegas, and have my own really bad act!
By the time I was ready for college, I didn't know what I wanted to do. I think I secretly wanted a show business career, but I was suppressing it.
Secretly, or maybe not so secretly, I've always wanted to be a rock star.
However, he also trusted me to make my own decisions. Contradicting me or telling me what to do wasn't in his nature - even though he secretly may have wanted to.
He was a boy, she was a girl, Can I make it any more obvious? He was a punk, she did ballet, What more can I say? He wanted her, she'd never tell, But secretly she wanted him as well.
When I grew up I always wanted to act. Also, I wanted to be either a lawyer or a doctor. However, when I got to college and realized what those occupations entailed, I changed my mind real quick.
The reason I wanted to work with New Look was that they wanted to stick with one designer and do lots of collections a year.
I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
I've always known that I wanted to sing, and I wanted to dance, and I wanted to act.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I didn't want it to be gentle like most puppet shows tend to be, since they come from childhood where you're gently trying to tell a story. I wanted to blast all that out of the water. I think there's plenty of room of any kind of attitude toward puppets. I call puppeteering acting while hiding.
When I was starting as an anime director I wanted to be known for great things. I never wanted to be known for some overblown toy commercial.
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
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