A Quote by Kate Morton

I probably coughed self-pityingly in response, little aware that I was about to cross a tremendous threshold beyond which there would be no return, that in my hands I held an object whose simple appearance belied its profound power. All true readers have a book, a moment, like the one I describe, and when Mum offered me that much-read library copy mine was upon me.
At the moment that we persuade a child, any child, to cross that threshold, that magic threshold into a library, we change their lives forever, for the better
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
When you publish a book, you do so in part to end the silence. All censorship is silence. I would never, as an author, feel right requiring a young person whose family would object to the book to read it. Just as I would never force that person to read it, I would ask those folks to not force others not to read it. To me, that is just good manners.
I remember that I used to get lots of books from the library, and 'Little Women' was one of them. And I used to just cross out the parts of it that really upset me because it's such a sad book in so many ways. I'd cross out the parts that upset me, and I would rewrite new endings.
The cross is like a walnut whose outer rind is bitter, but the inner kernel is pleasant and invigorating. So the cross does not offer any charm of outward appearance, but to the cross-bearer its true character is revealed, and he finds in it the choicest sweets of spiritual peace.
A life is such a strange object, at one moment translucent, at another utterly opaque, an object I make with my own hands, an object imposed on me, an object for which the world provides the raw material and then steals it from me again, pulverized by events, scattered, broken, scored yet retaining its unity; how heavy it is and how inconsistent: this contradiction breeds many misunderstandings.
I opposed the Fatwa against Salman Rushdie. I read the book and took a critical distance. I did not think The Satanic Verses is a blasphemous book. I did not consider the book as being a great read, but as an intellectual I read, I assess, and I respond. I make a difference between true freedom of expression to which we owe a response and provocation, which we ignore.
What I would like to write is a book about nothing, a book without exterior attachments, which would be held together by the innerforce of its style, as the earth without support is held in the air--a book that would have almost no subject or at least in which the subject would be almost invisible.
Ever since I was little, I’ve loved making hand-made cards and presents and arts & crafts for people. The book gives me a similar experience. I love being able to hold this object in my hands and say, “This is mine. I made this. It is a gift for you.” I love that feeling. Especially since this particular object contains ten years worth of my poems.
Once, when I was about eight, my mum handed me a sandwich, and I remarked: 'What are those weird things on your hands?' I was referring to the visible pores, which were such a contrast to my own alabaster-smooth skin. My mum looked mortified, while my grandma laughed and said: 'They're nothing - look at mine!'
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
[D]on't ever apologize to an author for buying something in paperback, or taking it out from a library (that's what they're there for. Use your library). Don't apologize to this author for buying books second hand, or getting them from bookcrossing or borrowing a friend's copy. What's important to me is that people read the books and enjoy them, and that, at some point in there, the book was bought by someone. And that people who like things, tell other people. The most important thing is that people read.
It is possible to argue that the really influential book is not that which converts ten millions of casual readers, but rather that which converts the very few who, at any given moment, succeed in seizing power. Marx and Sorel have been influential in the modern world, not so much because they were best-sellers (Sorel in particular was not at all a widely read author), but because among their few readers were two men, called respectively Lenin and Mussolini.
Whenever I see a film or read a book, the only thing which keeps me alive is acting and the fact that I will be offered a good role and I would be able to perform it. That is all that life means to me.
I receive emails from readers that both break my heart and give me a profound sense of connection. Several months ago, I received an email from a teacher who told me that 'Legend' was the first book one of her troubled young students had ever read to the end. He cried when he finished it. Stories like that stay with you forever.
Both my mum and dad were great readers, and we would go every Saturday morning to the library, and my sister and I had a library card when we could pass off something as a signature, and all of us would come with an armful of books.
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