A Quote by Kate Morton

In retrospect, it seems like everything in my life led to me becoming a writer. I just didn't realise it at the time. — © Kate Morton
In retrospect, it seems like everything in my life led to me becoming a writer. I just didn't realise it at the time.
Everything happens for a reason, and everything has a story, and if you take time to realise what your dream is and what you really want in life... whether it's sports, whether it's in other fields, you have to realise that there's always work to do.
I thought a director was like a pillow who sat under the writer, supporting them and submitting to their vision. It took me a long time to realise that what a writer really wants is a production that matches the play and the writing. It is the only way the play can achieve its full potential.
Becoming a parent gives you access to a whole world of feeling. It gives you a much stronger sense of life and death: becoming a father made me realise my own mortality.
He invented this idea of telling the life story of a great writer through becoming his characters and becoming him. It was such a pleasure and I thought we must find another writer.
I was always taught that anybody and everything is worth spending time and interest on and there's no reason to pass over anything. So it led me in a route that was just hyper awareness of human beings and care and love. So it's made me at least more open to trying anything, doing everything and experiencing all that I can in this little bit of life that we have.
I think a lot of writers spend years just getting up the courage to write because it seems like such a fantasy of a profession. My dad saved me all that time by making me think, 'Oh, anyone can be a writer. It's like being a firefighter or a lawyer.'
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
Everything I have experienced and learned in football led me towards one day becoming a coach.
There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and 'live' with the characters.
There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and "live" with the characters.
The first time I can remember thinking that I would like to be a writer came in sixth grade, when our teacher Mrs. Crandall gave us an extended period of time to write a long story. I loved doing it. I started working seriously at becoming a writer when I was seventeen.
From time to time it has struck me that as a writer, I've somehow managed to live my life as I had long ago dreamt of doing, based on the Tintin paradigm: on my toes, travelling, senses attentuated, everything just adventure and exploration, curiosity and problem-solving.
When I started writing fiction it always seemed in retrospect (I didn't realise at the time) that it was always caused by environments rather than by incidents and characters.
I've sort of decided that I can settle for being just the artist, arranger, writer and part-time engineer. That seems like enough to do.
I feel like everything I ever did in my life led me to the Franklin Mint.
Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. "Writer's block" sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.
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