A Quote by Kate Moss

There was a point when it all really took off and got quite overwhelming, even though I didn't realize it. — © Kate Moss
There was a point when it all really took off and got quite overwhelming, even though I didn't realize it.
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
Even though I was painted, even though I had on seven layers of paint - to the point that I got a tan, it was as thick as a fabric - I think I felt the most naked because I couldn't cover myself at all. I didn't have to, so I had to be much more open and relaxed.
Someone like Shane Warne played the game on and off the field really well and got into guys' heads. Even though he couldn't bounce you and hurt you physically, he was verbally aggressive and would let you know he'd get you out. He made batsmen doubt themselves. I learned from players like him and made a point of incorporating it into my own game.
There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.
The main reason I got into comedy was in the hope that I could make a few people laugh and feel better about life, and the fact that I do that is quite overwhelming, really.
It took me a while to realize that the only way to really communicate with people is to give them your point of view.
For some reason, that I can’t really explain, at the beginning of Radiolab, it always felt like life or death. Even though it was just a radio show. Even though no one was listening. And I am not quite sure why… but it may have to do with that radical uncertainty you feel when you are trying to work without a template.
I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.
It took me quite a long time to realise that my maleness was cutting off certain areas for Yoko [Ono]. She's a red hot liberationistand was quick to show me where I was going wrong, even though it seemed to me that I was just acting naturally. That's why I'm always interested to know how people who claim to be radical treat women.
I didn't realize I wanted to write about D.C. until after 2000. Even though I was a comedy writer, I stayed away from that subject on purpose. It took attaining some distance and perspective.
For 'A.D.,' when I got the script, I was really moved, because even though it told a story that I knew all my life, it was told in a different way. It was told from a very personal point of view.
I didn't even realize I was quite privileged. But I am. I got money. I've never been stopped by a police officer.
I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
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