A Quote by Kate Mosse
I am not a fan of historical fiction that is sloppy in its research or is dishonest about the real history.
Related Quotes
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction.
I like to do the research of history and the creativity of writing fiction. I am creating this thing which I think is twice as difficult as writing either history or fiction.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
I'm a big fan of historical fiction stuff. Historical battles - 'Gladiators,' 'The Patriot.'
I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
I'm a huge historical fiction and non-fiction fan.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.
I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.
I'm a big historical-fiction fan.
What's most explosive about historical fiction is to use the fictional elements to pressure the history to new insights.
I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.
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