A Quote by Kate Nash
If you're on an indie label, you're not getting enough money. And if you're on a major, you're not getting enough support.
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It's really difficult to know what is the best way forward when you're not getting a lot of support - and probably most writers aren't getting enough support.
Well, it's about getting points. And there are different ways of getting points. Whether you're offensively good, capable of scoring enough goals to win enough games, or resilient enough not to lose too many.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
I know reels can be expensive but even if you construct one on your own if you don't have enough money to get a more professional one while you're getting started, as far as college animators go or young indie developers I don't think they are going to care if you have the highest quality reel yet.
When the venture industry started, it was enough to just have money and then it was enough to sort of have this big fuzzy brand. But now startups are getting a lot smarter.
Ain't no mountain high enough, ain't no valley low enough, ain't no river wide enough, to keep me from getting to you.
Life's major challenge: getting reborn often enough.
When I was going through menopause, I didn't sleep. I didn't sleep for two years and ended up blowing out my thyroid, and I became nonfunctional. It's difficult to remain fully present if I'm not getting enough sleep, so I work at getting enough.
The consistent support that singles player are getting is way more than doubles, it is 100:1. We hardly get any support, the only support we get is from the government but it is not enough if we have to perform consistently at the highest level.
"The life of the union depends upon more people getting to share the limelight, because with the limelight also comes responsibility and with the responsibility comes a little sharing of the load." "There isn't enough money to organize poor people. There never is enough money to organize anyone. If you put it on the basis of money, you're not going to succeed."
You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.
Sometimes the hardest part I think for actors on '24' is some of the jargon and getting the ideas and the thoughts and the information out quickly enough and succinctly enough and clearly enough.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
For me, when I'm not working, the day goes by so fast. I never have enough time - getting a manicure, getting a pedicure, getting my workout in, making sure that I ate healthy. Those things can become treacherous to the mind.
I was happy because I made enough money to give to my parents. I made enough money to get married on. I made enough money to enjoy myself a little more than I would have if I didn't have enough money.
We did a show called The Orphan Train, during the depression, when families didn't have enough money to support their children, they'd put them on the train and hope someone would pick them up who had enough money to support their children.
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