A Quote by Kate Nash
I started my own zine, and riot grrrl became a huge part of my identity.
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The lo-fi scene and the riot grrrl thing had a huge influence on me. As a teenager I went to see Bikini Kill and all those bands.
To make riot grrrl move into the future in a new way with a bunch of new names and a bunch of new energy, younger people have to learn about it and apply it to their own lives and own modern conversation. And they are.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I started writing one afternoon when I was twenty, and ever since then I have written every day. At first I had to force myself. Then it became part of my identity, and I did it without thinking.
There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.
Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.
You know that band that are all over 'Melody Maker,' Huggy Bear, they're just a load of crap, right? Riot grrrl group - y'know, it's all sexism and stuff, women standing up for their rights: 'This girl said this at the gig off the stage.' It's nothing got to do with music. They're probably untalented gits when it comes to the crunch.
When Facebook was getting started, nothing used real identity - everything was anonymous or pseudonymous - and I thought that real identity should play a bigger part than it did.
When 'I'm Sorry' came out and became such a huge hit, that made 'Rockin' Around The Christmas Tree' start selling. Then that became a huge, huge hit.
We'd started out as a garage band and it became like a huge band, which was fine. But everything was so magnified, drug addictions, personalities, it just became too much.
Seriously, I don't find not being able to hear an obstacle or a boundary. For me, and for many of us, it is an advantage, and it's a part of my identity, in fact. It's a huge part of who I am.
When I started in the music business, travel became a huge part of my world, where it hadn't been at all. I visited parts of the world that I'd never been to and found that I was spending maybe 30 days at home a year.
Mother of mercy,"said Tovar."And that caused the riot?" "It's the other way around,"said Kira sheepishly."We started the riot as a distraction for the jaibreak." Tovar whistled."You don't mess aroud." P303
The nineties as a pop cultural sphere was a really fertile time for feminism that was grounded and located in popular culture. I'm talking about before the Spice Girls - Sassy Magazine, riot grrrl, the Beastie Boys, Nirvana. You had this alternative culture that was very much speaking up on behalf of women and in favor of women.
There is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.
Portland hardly got to have an identity before that identity became a joke - I live in a joke. Seattle at least got to wear out its identity before it became a joke.
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