A Quote by Kate Pierson

I used to stick my head out the window when I was a kid and sing at the top of my lungs and think no one could hear me. — © Kate Pierson
I used to stick my head out the window when I was a kid and sing at the top of my lungs and think no one could hear me.
When I was a kid I had an imaginary friend and I used to think that he went everywhere with me, and that I could talk to him and that he could hear me, and that he could grant me wishes and stuff. And then I grew up, and I stopped going to church.
Looking out the window and seeing the MGM and Floyd Mayweather takes me back to when I was a kid. Those were the places you'd hear about, the ones that staged big fights and top fighters. You always want to one day fight there yourself.
I love a good road trip. And I have been known to sing cheesy '80s songs at the top of my lungs on a windy road when no one can hear.
I used to sing as a kid, but it was quite squeaky. I think I was about 19 or 20, and we used to go to these jam sessions and open mics. I just got the courage to sing one day. I don't think anyone expected it to sound like that.
Wherever inspiration comes from, it's like I'll hear a melody and chords, almost a rough structure of the whole thing [song]. I'll just hear it and chase what's in my head. The rest comes from jamming with band, improvising, seeing what comes up as well. I'll come up with it off the top of my head, catch it, sing and hum, and if something is missing, just jam, and that's the [songwriting] process.
I always used to sing in the house and I went to school at Hywel Dda Primary School in Ely. I think they had a puppet-type show there and word got around I could sing. I sang at that puppet performance and used to sing in school. From there, it was in my blood. I didn't want to do anything else but sing.
I definitely appreciated '60s music. My uncle and I used to take long road trips to visit my grandmother when I was going to NYU. We'd listen to Petula Clark and other 60's music and sing at the top of our lungs the whole time.
[I]t is the wine that leads me on, the wild wine that sets the wisest man to sing at the top of his lungs, laugh like a fool – it drives the man to dancing... it even tempts him to blurt out stories better never told.
I used to ride the school bus to school and just listen to music with my headphones. I'd stick my head out the window and just think about how much I wanted to be a singer. I always wanted to do it, but I think I was always in the wrong place. I didn't really have any opportunities. So I left LA four years ago and I really just left my old life behind. I threw everything into pursuing music.
I was a disruptive student. I hated my teachers, especially my Spanish teacher. When I went to see the musical 'Matilda,' the horrible Miss Trunchbull brought back all sorts of horrible memories. I'd go into Spanish class, put on headphones, and sing at the top of my lungs until they threw me out.
I can't tell you why there's a delay, but stick your head out of the window and you'll know why.
I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
Marvin Gaye was a friend of mine, and he used to say, 'Man, I wish I could sing like you - if I could have that growl in my voice.' And I said, 'Man, are you kidding me? I want to sing like you. Everybody wants to sing like you.'
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