The very admission of the need to harmonize is an admission that the burden of proof is on the narratives, not on those who doubt them. What harmonizing shows is that despite appearances, the texts still might be true.
I get the headlines for being slick and different things like that - which is part of my game - but it's just amazing to me that a lot of times, the people don't see the other things that go on in that ring. But a lot of times, when my opponents figure it out, the fight is over. It's too late.
People are too worried a lot of times what other people in the audience are going to think about them, so they like to feign offense so other people don't think that they're inappropriate for laughing at something.
I enjoy thinking myself into other times and places. I don't like some of the conventions of the 'historical novel', but I think there's a way of doing it that has a lot of merit.
I don't see a lot of guys that have done that [winning three times before age 24], besides Tiger Woods, of course, and, you know, the other legends of the game. It's just one of those things, I believe in myself and – especially with how hard I've worked – I'm one of the top five players in the world. I feel like I've proven myself.
Flow. Be adaptable. Be sensitive like water, feel the other so you can attune and harmonize with your partner.
Sometimes the FBI is assigned to do background checks on people who are coming into government in the executive office of the president. Other times, not. A lot of times there are people who are arriving with clearances that already exist.
I play piano (bit of guitar) and I sing and I love to jam and harmonize with other musical people.
Yes, as an oppressed people, American Indians have this epic burden, but first and foremost, they're human: sometimes a mess, sometimes funny or sad, at times very wise, and other times not wise at all - a lot like me.
I like having conversations: you learn a lot about how other people think. If I'm myself and confident, I don't get nervous easily. I try not to make other people uncomfortable - I think that's a very arrogant thing to do.
A lot of times I say to myself, "I wished I could be worthy of all the compliments that people give me sometimes." I'm not inventing anything that's going to stop cancer or muscular dystrophy or anything, but I like to feel that my time and talent is always there for the people that need it. When someone do say something negative, most times I think about it, but it don't bother me that much.
I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
A lot of times, it seems like social media has devolved into people just yelling at each other and not really conversing.
Sometimes it might seem like I'm using my songs to give other people pointers. But mainly, they're for me, just little notes to myself that I collected, and the wisdom that I've read. I give myself a lot of advice.
I don't want to put myself in any kind of a box as far as my sound goes, because being an artist is fluid. If you look at a painter's work, a lot of times, it's similar in style, but other times - over even a year's period - it can change so much. I'm just going with the flow.
When you are in an international camp, you are together for 10 days. You eat three times a day together. You spend a lot of time in each other's company. That 10 days is very important ,and I think even times for training, times when you eat, meetings, this that and the other, a lot has got to change in that camp.