A Quote by Kate Pierson

The Beatles had a huge impact on me. I did 'Strawberry Fields Forever', and we worked it out in an open tuning. That's such a beautiful song, and I think I did it in a different way.
I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.
I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.
It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it.
Of course, the world is different now. There's a glut of comedians with specials, so it's just not possible to make an impact the way Bill Cosby: Himself did. It's like, The Beatles were amazing, but it also helped that not many bands were putting out albums then.
Our music did not sound like the Beatles in any way, shape or form. I could never find it in myself to use those Beatles tricks in Styx records because they were sacred to me. But what they did always influenced my thinking.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
I worked in rose fields, and I worked in potato fields. I did some bouncing.
Strawberry fields forever
So many times, I will have people tell me what I did when I was younger. There's so much being written [about] the early Beatles period, and even pre-Beatles period. And people will say, "Oh, he did that because that, and that happened because of that." And I'll be reading and think, "Well, that didn't happen" and, "That's not why I did that." Like anyone's history, you remember what went down better than people who weren't there.
Why did she give up wine for Lent? Polly was more sensible. She had given up strawberry jam. Cecilia had never seen Polly show more than a passing interest in strawberry jam, although now, of course, she was always catching her standing at the open fridge, staring at it longingly. The power of denial.
The biggest thing for me coming into the league was my last year in college I didn't think about the NFL one time. I just played ball and went out there and did what I did and let everything take care of itself. It worked out great for me.
I knew all these people had the same goals I did, but the one that worked the hardest would come out on top. That's what drove me all the time. But I had fun. I did better every day, and that's what made it fun.
I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there.
The tone did take on a negativity that I didn't like and when you make the decision to go the other way as we did it very directly had an impact, you can see it with the tracking.
In our culture the way women have been represented in American film had a pretty big impact on my self-esteem and I'm sure it did on a lot of other girls. I think they have a greater psychological impact that anybody's willing to talk about.
Los Angeles is a huge, great diverse place, but I had to find the version that worked for me. I am lucky I did because I probably wouldn't be where I am had I not.
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