A Quote by Kate Pierson
We would go on 'The Voice,' and we'd get kicked off of the first episode, probably.
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If you watch me play, you'll see how often I get kicked. I don't go off the pitch and cut myself to act like I've been kicked.
I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I didn't get paid to write professionally until my first episode of 'Kyle XY,' which was the fourth episode of the first season.
New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first time and you get your ass kicked and you take off. As soon as it heals up, you come back and you try it again. Eventually, you fall right in love with it.
Now shut the engines off. Come down and flatten out, feel the long float, and at the given moment pull the stick right home. She's down. Now taxi in. Switch off. It's over - but not quite, for the port engine, just as if it knew, as if reluctant at the last to let me go, kicked, kicked, and kicked again, as overheated engines will, then backfired with an angry snorting: Fool! The best is over ...But I did not hear.
With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.
The one thing that we wanted to make sure in the pilot [of "Mary and Jane"] is that we could go everywhere. Part of the fun of them being a delivery service is that they go to different areas episode to episode. We do have an episode in the beach and there is an episode in the luxury rehab. It's all different kinds of things we are making fun of in LA.
...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
When I'm talking about a football brain, the very first time the ball's kicked in the air and Lukaku completely outjump's you and you get absolutely nowhere near it, that's when your brain clicks in. You know what you do, let him go and win it.Take a step off and when he flicks it on, guess what, you bring it down on your chest.
'Fabulosity' is to get up when you've been kicked down, and it's not to go after who kicked you down.
What's always got me is the fact that when people talked on the telly about Iraq, before Afghanistan kicked off, you'd get only these public-school-type army officers talking about what was going on out there. I kept thinking, 'Why don't we get the true voice of the squaddie? Why don't we hear from the lads on the battlefield?'
I started doing stand up when I was 19. Because I was underage at the time, at certain clubs I would be forced to wait outside until it was my time to go on stage. Then I would do my set, walk off, and be kicked out again.
I was the first in my family to board an airplane. I was the first in my family to get kicked off an airplane.
My first proper credit was a small voice-over on an episode of 'The Sopranos' when I was, like, 11 or 12.
When I played, I would never, ever try to run Reggie Miller off the line because I knew Reggie. If I ran at him, and I was trying to run him off the line, I was going to get kicked.
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