A Quote by Kate Reardon
No matter how irrelevant social class now is, even the most eager egalitarian must be quietly proud that the posh English rose is still an industry standard for peerlessly sophisticated beauty.
Related Quotes
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
Once, BBC television had echoed BBC radio in being a haven for standard English pronunciation. Then regional accents came in: a democratic plus. Then slipshod usage came in: an egalitarian minus. By now slovenly grammar is even more rife on the BBC channels than on ITV. In this regard a decline can be clearly charted... If the BBC, once the guardian of the English language, has now become its most implacable enemy, let us at least be grateful when the massacre is carried out with style.
We all like to think of ourselves as a standard, and I can see that it is genuinely difficult for the English middle class to suppose that the working class is not desperately anxious to become just like itself. I am afraid this must be unlearned.
People try to sell a fantasy with beauty campaigns. Overly Photoshopped, perfect, white, thin figures are a standard that most people still hold as beautiful because the industry says so.
What I didn't tell her was that I distinctly remember walking out of my junior year English class reading, 'Amandla Stenberg comes out as queer.' She unknowingly set a precedent in my life, a gold standard of how to be proud and exist in the intersectionality of multiple identities that were one thought of as being conflicting.
If you're a girl, you're always Daddy's little girl. You're vulnerable, no matter how worldly or sophisticated or strong you'd become along the way. My dad Lionel let me know how proud he was, even as he kept me from being too big for my britches.
The development of beauty in chess never depends on you alone. No matter how much imagination and creativity you invest, you still do not create beauty. Your opponent must react at the same highest level.
If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign tous: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?
Pornography is not egalitarian and gender-free. It is predicated upon the inequality of women and is the propaganda that makes that inequality sexy. For women to find passive, objectified men sexy in large enough numbers to make a pornography industry based upon such images viable, would require the reconstruction of women's sexuality into a ruling-class sexuality. In an egalitarian society objectification would not exist and therefore the particular buzz provided by pornography, the excitement of eroticised dominance for the ruling class, would be unimaginable.
No matter how advanced our economy might be, no matter how sophisticated our equipment becomes, for the foreseeable future we will still depend on fossil fuels.
Now the autumn shudders
In the rose's root.
Far and wide the ladders
Lean among the fruit.
Now the autumn clambers
Up the trellised frame,
And the rose remembers
The dust from which it came.
Brighter than the blossom
On the rose's bough
Sits the wizened orange,
Bitter berry now;
Beauty never slumbers;
All is in her name;
But the rose remembers
The dust from which it came.
The mathematics is the odd one, odd because I'm not sure how to measure its effect. It is so fundamental to my outlook on everything and yet I'm not even sure how. It must be because in my formative years it was everything to me, the single place of beauty in my life, and of breathtaking beauty at that. I still believe that pure mathematics is the most creative thing that humanity does, though I am no longer a part of it.
The taste of the more recent accessions to the leisure class proper and of the middle and lower classes still requires a pecuniary beauty to supplement the aesthetic beauty, even in those objects which are primarily admired for the beauty that belongs to them as natural growths.
Social class means a hell of a lot and upper class people - no matter how well [Franklin ] Roosevelt did - it was stylish to hate him.
I have committed myself to joy. I have come to realize that those who make space for joy, those who prefer nothing to joy, those who desire the utter reality, will most assuredly have it. We must not be afraid to announce it to refugees, slum dwellers, saddened prisoners, angry prophets. Now and then we must even announce it to ourselves. In this prison of now, in this cynical and sophisticated age, someone must believe in joy.
The rose is a rose,
And was always a rose.
But the theory now goes
That the apple's a rose,
And the pear is, and so's
The plum, I suppose.
The dear only knows
What will next prove a rose.
You, of course, are a rose -
But were always a rose.
Related Authors
Ambrose Bierce Quotes
American
Journalist
Andy Rooney Quotes
American
Journalist
Ann Coulter Quotes
American
Journalist
Anna Quindlen Quotes
American
Journalist
Bill Vaughan Quotes
American
Journalist
Dave Barry Quotes
American
Journalist
Dennis Prager Quotes
American
Journalist
Erma Bombeck Quotes
American
Journalist
Fran Lebowitz Quotes
American
Journalist
George Will Quotes
American
Journalist
Glenn Beck Quotes
American
Journalist
Hunter S. Thompson Quotes
American
Journalist
Mignon McLaughlin Quotes
American
Journalist
Molly Ivins Quotes
American
Journalist
Rachel Maddow Quotes
American
Journalist
Walter Lippmann Quotes
American
Journalist