I think the details and the quality are so important that it has to have an emotional tug. Even if it's the simplest shoe, it has to have something that says, 'Oh, I have to have you.'
I don't think the emotional quality is the defining quality of the music but it's definitely something that people have picked up on a lot
My heart belongs to the details. I actually always found them to be more important than the big picture. Nothing works without details. They are everything, the baseline of quality.
This is something I realized after stepping away from women's fashion for the last five years. When you are inside, it is such a tiny group of people who think that this is the most important thing in the world. But when you get a little bit of distance, someone will say to you something like, "Don't you think that shoe is blah?" And I will be like, "What shoe? I don't know what you're talking about." It is very, very inside.
Just the textures of things are really important to me as I'm writing; I think atmospherics and visuals can have such emotional impact if you can harness the thematic thread between how scenes look and how your characters feel. I like to tug on that thread.
I'm just into making quality stuff if I can, with interesting people and good scripts. But it's very important that it's about something and that it says something. Otherwise, I don't know what the point is, really.
Practice quality, and you get better at quality. But quality takes time, so by working solely on quality, you end up losing something else that's important - speed.
Suddenly, details seemed extremely important. Details were something to grab on to, a way to insert myself into the story.
A lot of people now think Im a shoe. They dont even know I was a tennis player. The shoe has really taken on a life of its own, way beyond me.
I love to cook, and my wife loves to cook. Sometimes it's the appeal of the simplest of dishes - things you've grown up with in your life. Your emotional memory - something that not only affects your taste buds but that you've got an emotional attachment to.
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
Well, I think it's important to keep things secretive because what's happened so much is the press competes with each other to put as much information out there as they can and sometimes it can be very damaging to the films to have the stories leaked or certain plot details. I think it's important to have something remain secretive for the audience and something special for the audience so there aren't spoilers all over the internet.
I think the most important thing journalism taught me is to mine for details. The details are key. You can't try to be funny or strange or poignant; you have to let the details be funny or strange or poignant for you.
The word "YouTuber," even though - listen, I love YouTube, and I would never, ever abandon it, but I think when somebody says "Youtuber" it says "Oh, they talk about what they ate that day." That's not me - I do way more than that.
In terms of writing, I think something happens to you, and you think, "Oh I'm going to write about that. That's an emotional event." But obviously, if you keep going, and it's something you do with regularity, you've got to find other ways to write.
I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.
Truthiness is "What I say is right, and [nothing] anyone else says could possibly be true." It's not only that I feel it to be true, but that I feel it to be true. There's not only an emotional quality, but there's a selfish quality.