A Quote by Kate Walsh

For me, my 20s were all about reaching for the brass ring of work in theater, television, and film, surviving in between by waiting tables, painting houses, serving coffee, and temping.
I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
I majored in musical theatre performance at college, then went through years of waiting tables and temping while looking for acting work.
After graduation, I moved to Los Angeles to do more theater, not realizing there is very little theater in L.A. It was a lucky mistake, though, because after just 2 1/2 months of waiting tables, my TV and film career really took off.
What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.
The place I feel most at home is when I have health insurance. I really don't care how I get it, whether it's on film, or television or waiting tables, you know?
It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II].
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
I was crashing with a boyfriend on his couch in Fort Green. At first, I was temping - insurance agencies, nonprofits - and then, in between temping, I was going on job interviews, and I could name 12 publications, some of which no longer exist, that didn't even call me back or interviewed me and had no interest.
When I moved to New York, I was waiting tables, painting in the daytime and working at night, and I felt it was possible to find a balance and just about get by.
When television came along, I'd already done more than 10 years of radio work and I thought everyone would want me. I sat around waiting for the phone to ring - and it didn't.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
Of course, to be WWE world champion is definitely on my list. Anybody who is not reaching for that proverbial brass ring is doing something wrong if they're in the WWE.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.
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